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More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100: Music as Narrative Improbabilities copy

More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100
Music as Narrative Improbabilities copy
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table of contents
  1. Music 101: Introduction to Music
    1. Dear Student
    2. Class Schedule
    3. Music 101 Assignment
    4. Music and Dance at The Metropolitan Museum of Art
    5. Some Helpful Hints for Writing Term Papers
    6. Now that you’ve passed english 110, how many of these rules do you remembir?
    7. YouTube Adventures in Sight and Sound
    8. A Student's Credo
  2. Introduction
    1. Music is...
    2. The Relatedness of knowledge
    3. The CIPA Formula
    4. The When, Where, Why, What and Who of The When, Where, Why, What and Who of Music
    5. Some Themes of Life That Are Portrayed in Art and Music
    6. Connecting the Dots
    7. Popular and Unpopular Music
    8. Inspired Improbabilities
    9. Music as Narrative Improbabilities copy
  3. Elements
    1. A MUSIC LISTENER’S CHECKLIST
    2. Some Very Basic Things to Know About Music Theory copy
    3. Modern music notation
    4. The Overtone Series
    5. Fascinating Rhythms
    6. The World of Pitch
    7. Measuring Intervals
    8. Various Scales
    9. How The Choice of Scale Affects the Message
    10. Harmonizing with Triad
    11. Musical Instruments
    12. Musical Combinations
  4. History
    1. The Basic of Music History
    2. Western Classical Music History
    3. Some Dates to Remember If Dates Are Important
    4. HOW TO ANALYZE MUSICAL STRUCTURES
    5. A Geocentric View From CCNY
    6. VOYAGER
    7. Political Map of Europe
    8. Voyager Record Contents
    9. The Tale of Two Georgs
    10. Listening to Recorded Music
    11. Joseph Bologne, Chevalier de Saint-Georges 1745-1799
    12. From Blues to Rap
  5. Genre
    1. Historical Repertoire
    2. The Keyboard Sonata Through History
    3. Chamber Music Through History
    4. The Symphony Through History
    5. The Solo Concerto Through History
    6. Song
    7. Summertime on YouTube
    8. The Mass Through History
    9. The Ordinary of the Mass
    10. Music for the Stage Through History
    11. Music for the Ballet Through History
    12. Serge Diaghilev and the Ballets Russes 1909-1929
    13. Dance Assessment Inventory
  6. Performers
    1. Carnegie Hall
    2. Musical Performers
    3. Some Legendary Stars of Music in No Particular Order
    4. Famous Pianist Composers
    5. Famous Violinist Composers
    6. Jimmy Levine and Steve Jablonsky
    7. The Conductor
    8. The Orchestra
  7. Essays
    1. A Composer’s Complaint
    2. The Goldberg Variations
    3. Mahler Apotheosis
    4. Modern Music: A Personal Viewpoint
    5. Stravinsky: A Short Take
    6. Stockausen is Dead
  8. Appendix
    1. A Composer’s Complaint
    2. Glossary of Musical Terms
    3. Horoscope
    4. A Matter of Style
    5. Art Assessment Inventory
    6. Dance and Movement Elements Five Movement Parameters
    7. Grammy Musical Genres
    8. Music Obituaries 2017
    9. The Sound of Silence

Music as Narrative

Stephen Jablonsky

Let us remember that music is both magical and mysterious, and, because of that, untold amounts of energy and intelligence have been spent trying to explain it with varying degrees of success. Sometimes I wonder if musical analysis is a fool’s errand best kept to one’s self. Music, because it occurs over time, is narrative in the sense that it presents a sequence of musical events that may or may not be related to each other. It is narrative in a language that is perceived and understood in different ways by each listener. Our brain processes the incoming aural data relative to what it already knows about other music. It also operates on various levels of cognition based on prior musical training and experience. It is even possible that we listen to the alternative “realities” of music simultaneously, but focus or blur our attention depending on our purpose of listening.

I have always contended that a musical masterpiece is greater than the sum all the theories that try to explain it. I sometimes find myself reading the most erudite of scholarly reporting only to realize that all those diagrams, charts, and verbal descriptions are like analyzing the muscle and tissue of a cadaver. The magic and mystery of music is analogous to the spark of life that animates the body, and like doctors, music theorists marvel at its indescribable beauty. Great music bristles with the spark of genius and its effect stays with us long after we experience it.  Music of lesser quality merely survives during its performances and is soon forgot.

Great films (and great music) are great from the first scene to the last and never flag. We are swept up and carried through time without any awareness of its duration. It holds our attention the way a hypnotist controls our awareness. Good luck to all those who attempt to explain the power of the trance. Each masterpiece is the product of great skill and craft, but at no time are we aware of the technical genius that undergirds the work. What sweeps us away is the emotional ride we are taken on as we explore the heights and depths of the human experience. A great watch keeps perfect time without our understanding how the inner works operate. The genius that went into creating the watch mechanism is best appreciated only by other watchmakers.

I close by sharing with you a visual experience very much like listening to music—watching clouds float by on a warm summer afternoon. The exquisite aesthetic of that experience defies description and has, to my knowledge, not yet prompted the formation of a Society of Cumulus Theorists.

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