Skip to main content

More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100: Dear Student

More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100
Dear Student
    • Notifications
    • Privacy
  • Project HomeMore than You Wanted to Know About Music When You Foolishly Signed Up for Music 10100
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Music 101: Introduction to Music
    1. Dear Student
    2. Class Schedule
    3. Music 101 Assignment
    4. Music and Dance at The Metropolitan Museum of Art
    5. Some Helpful Hints for Writing Term Papers
    6. Now that you’ve passed english 110, how many of these rules do you remembir?
    7. YouTube Adventures in Sight and Sound
    8. A Student's Credo
  2. Introduction
    1. Music is...
    2. The Relatedness of knowledge
    3. The CIPA Formula
    4. The When, Where, Why, What and Who of The When, Where, Why, What and Who of Music
    5. Some Themes of Life That Are Portrayed in Art and Music
    6. Connecting the Dots
    7. Popular and Unpopular Music
    8. Inspired Improbabilities
    9. Music as Narrative Improbabilities copy
  3. Elements
    1. A MUSIC LISTENER’S CHECKLIST
    2. Some Very Basic Things to Know About Music Theory copy
    3. Modern music notation
    4. The Overtone Series
    5. Fascinating Rhythms
    6. The World of Pitch
    7. Measuring Intervals
    8. Various Scales
    9. How The Choice of Scale Affects the Message
    10. Harmonizing with Triad
    11. Musical Instruments
    12. Musical Combinations
  4. History
    1. The Basic of Music History
    2. Western Classical Music History
    3. Some Dates to Remember If Dates Are Important
    4. HOW TO ANALYZE MUSICAL STRUCTURES
    5. A Geocentric View From CCNY
    6. VOYAGER
    7. Political Map of Europe
    8. Voyager Record Contents
    9. The Tale of Two Georgs
    10. Listening to Recorded Music
    11. Joseph Bologne, Chevalier de Saint-Georges 1745-1799
    12. From Blues to Rap
  5. Genre
    1. Historical Repertoire
    2. The Keyboard Sonata Through History
    3. Chamber Music Through History
    4. The Symphony Through History
    5. The Solo Concerto Through History
    6. Song
    7. Summertime on YouTube
    8. The Mass Through History
    9. The Ordinary of the Mass
    10. Music for the Stage Through History
    11. Music for the Ballet Through History
    12. Serge Diaghilev and the Ballets Russes 1909-1929
    13. Dance Assessment Inventory
  6. Performers
    1. Carnegie Hall
    2. Musical Performers
    3. Some Legendary Stars of Music in No Particular Order
    4. Famous Pianist Composers
    5. Famous Violinist Composers
    6. Jimmy Levine and Steve Jablonsky
    7. The Conductor
    8. The Orchestra
  7. Essays
    1. A Composer’s Complaint
    2. The Goldberg Variations
    3. Mahler Apotheosis
    4. Modern Music: A Personal Viewpoint
    5. Stravinsky: A Short Take
    6. Stockausen is Dead
  8. Appendix
    1. A Composer’s Complaint
    2. Glossary of Musical Terms
    3. Horoscope
    4. A Matter of Style
    5. Art Assessment Inventory
    6. Dance and Movement Elements Five Movement Parameters
    7. Grammy Musical Genres
    8. Music Obituaries 2017
    9. The Sound of Silence

Dear Students:

Chances are you registered for Music 10100 because it fit in your schedule and you like music. Maybe you thought this would be an easy class. What you may not have realized is that there are no easy subjects. You obviously wanted to learn more about music but really had no idea what you were getting yourself into.

The college has hired me to introduce you to the principles and concepts of a subject that has its own history and technology going back hundreds of years. Now is a really good time to ask yourself what you wanted to know about music when you signed up for this adventure. I can assure you that every time I prepare for this course, which I first taught in 1964, I ask myself what is it that I really want my students to get from these fifteen weeks together. Each time I ask that question I get a different set of answers, so this semester you will benefit from my most recent introspection.

My intention is to help you become curious critical thinkers. I also hope to excite you about music and its relationship to all the areas of human invention and investigation. It is the interrelatedness of all things and all people that fascinates me. In the brief time we have together I hope we can learn a thing or two about each other, and about the vast universe we inhabit. Your college education may appear to be segmented into separate subject areas in separate buildings, but it is the wise student who realizes that this is all one campus and the search for truth and beauty goes on in every classroom, studio, and laboratory.

There are so many ways to teach about music and each of them has value. No matter which path I choose, I know one thing – I cannot teach you anything. All I can do is invite you to learn. You and I have a good shot at success if the course designed by me has merit and you are willing to do a lot of hard work and investigation on your own. Learning takes place when you integrate what I share with you in class with what you discover for yourself.

I am your intellectual caterer. I will prepare a buffet of fascinating materials and challenges for you and invite you to partake in the feast. You need to grab a plate, come up to the buffet, and partake of what I offer. Fill your plate and return to your seat and enjoy the victuals. Look at what is on your plate, assess it, smell it, taste it, chew on it, and swallow. All this is, hopefully, a pleasurable activity. Of course, you also have the option of fasting. The choice is yours.

I have compiled this textbook for your delight and edification. Read it as if you had paid a king’s ransom for it. It is advisable to take notes on items that seem important enough to show up on the next test. In the best of all possible worlds you would be inspired by what you have read to come to class and engage me in conversation about things that intrigued you. Make sure you stay ahead of the reading schedule in your syllabus. There may be items you want to read a second time to solidify your knowledge. You are responsible for the contents of this volume.

You will be tested on your reading comprehension and your ability to properly process subjects covered in class. You are a professional student and will earn the grade that I record for you at the end of the semester. We are partners in this endeavor. The study of music can help us better appreciate what it means to be human. It can even help us learn more about ourselves, a process of self-discovery that takes a lifetime. Let’s fill it with good music and the joy of learning. There are vast numbers of gorgeous soundscapes waiting for you to discover them. This class will, hopefully, point you in the right direction and provide you with a proper foundation for further discovery.

The hardest part of this class is getting your head out of your cell phone, following directions, and meeting deadlines.

Dr. Jablonsky

Addendum: As you go through life you are either connecting or disconnecting from people you know. Occasionally a rift develops between me and one of my students, especially when information needs to travel between us. I have had students who were in trouble and, when I wrote to them, they never responded. I had one student who still owed me two papers after the final exam and so I wrote to her asking for her plan. Three days later, at 1:15 in the morning, the papers arrived in my email but the grades had already been posted at 8PM. If she had written to me in a timely fashion, I could have waited, but there was a major disconnect between us. Hopefully, a byproduct of your years at CCNY will be your ability to communicate efficiently and effectively, both verbally and in writing.

Get connected! Stay connected!

Annotate

Next Chapter
Class Schedule
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org