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More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100: The Orchestra

More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100
The Orchestra
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table of contents
  1. Music 101: Introduction to Music
    1. Dear Student
    2. Class Schedule
    3. Music 101 Assignment
    4. Music and Dance at The Metropolitan Museum of Art
    5. Some Helpful Hints for Writing Term Papers
    6. Now that you’ve passed english 110, how many of these rules do you remembir?
    7. YouTube Adventures in Sight and Sound
    8. A Student's Credo
  2. Introduction
    1. Music is...
    2. The Relatedness of knowledge
    3. The CIPA Formula
    4. The When, Where, Why, What and Who of The When, Where, Why, What and Who of Music
    5. Some Themes of Life That Are Portrayed in Art and Music
    6. Connecting the Dots
    7. Popular and Unpopular Music
    8. Inspired Improbabilities
    9. Music as Narrative Improbabilities copy
  3. Elements
    1. A MUSIC LISTENER’S CHECKLIST
    2. Some Very Basic Things to Know About Music Theory copy
    3. Modern music notation
    4. The Overtone Series
    5. Fascinating Rhythms
    6. The World of Pitch
    7. Measuring Intervals
    8. Various Scales
    9. How The Choice of Scale Affects the Message
    10. Harmonizing with Triad
    11. Musical Instruments
    12. Musical Combinations
  4. History
    1. The Basic of Music History
    2. Western Classical Music History
    3. Some Dates to Remember If Dates Are Important
    4. HOW TO ANALYZE MUSICAL STRUCTURES
    5. A Geocentric View From CCNY
    6. VOYAGER
    7. Political Map of Europe
    8. Voyager Record Contents
    9. The Tale of Two Georgs
    10. Listening to Recorded Music
    11. Joseph Bologne, Chevalier de Saint-Georges 1745-1799
    12. From Blues to Rap
  5. Genre
    1. Historical Repertoire
    2. The Keyboard Sonata Through History
    3. Chamber Music Through History
    4. The Symphony Through History
    5. The Solo Concerto Through History
    6. Song
    7. Summertime on YouTube
    8. The Mass Through History
    9. The Ordinary of the Mass
    10. Music for the Stage Through History
    11. Music for the Ballet Through History
    12. Serge Diaghilev and the Ballets Russes 1909-1929
    13. Dance Assessment Inventory
  6. Performers
    1. Carnegie Hall
    2. Musical Performers
    3. Some Legendary Stars of Music in No Particular Order
    4. Famous Pianist Composers
    5. Famous Violinist Composers
    6. Jimmy Levine and Steve Jablonsky
    7. The Conductor
    8. The Orchestra
  7. Essays
    1. A Composer’s Complaint
    2. The Goldberg Variations
    3. Mahler Apotheosis
    4. Modern Music: A Personal Viewpoint
    5. Stravinsky: A Short Take
    6. Stockausen is Dead
  8. Appendix
    1. A Composer’s Complaint
    2. Glossary of Musical Terms
    3. Horoscope
    4. A Matter of Style
    5. Art Assessment Inventory
    6. Dance and Movement Elements Five Movement Parameters
    7. Grammy Musical Genres
    8. Music Obituaries 2017
    9. The Sound of Silence

The Orchestra

Traditionally, when we think about an orchestra we are envisioning an ensemble comprised of strings, woodwinds, brass, and percussion. However, over the past three centuries the constituency has ranged far and wide. From the smaller chamber orchestra to the grand symphony orchestra the number of players can be as little as 12 to as much as 112. The size of the orchestra depends on the repertoire being played as well as the financial resources of the organization.

Here are three sample sizes:

Mozart Orchestra Berlioz Orchestra Stravinsky Orchestra

1 flutes 2 flutes (piccolo doubled) 5 flutes (piccolo, alto)​
2 oboes 2 oboes (English horn doubled) 5 oboes (English horn)​
2 bassoons 2 clarinets (piccolo doubled) 5 clarinets

(piccolo, bass)​
2 French horns 4 bassoons 5 bassoons

(contrabassoon)​
2 trumpets 4 French horns 8 French horns

timpani 4 trumpets 5 trumpets

(piccolo, bass)​
6 violin I 3 trombones 3 trombones​
6 violin II 2 tubas 2 tubas​
4 violas 2 timpanists 2 timpanists​
3 cellos 1 percussionist 3 percussionists​
1 string bass 2 harps​
14 violin I 16 violin I​
12 violin II 14 violin II​
10 violas 12 violas ​
10 cellos 10 cellos​
8 string bass 8 string basses

Each instrumental group has a principal player. They are responsible for making sure the section plays synchronously and they perform the solos. The leader of the first violins is known as the concert master, a prestigious position. There are currently six Class A orchestras in America: New York, Boston, Philadelphia, Chicago, Cleveland, and Los Angeles. They have the biggest budgets and the best players. All players are chosen by audition. Those who audition have been invited from other orchestras or conservatories. Once chosen it is a lifetime position, unless old age or health reduce the level of their playing abilities. Until the later years of the 20th century all major orchestras were men only clubs. Women were excluded for any number of spurious reasons, but things have been changing slowly but surely. A few orchestras even have a woman conductor!

Running an orchestra requires a sizable support staff and can be very expensive. Many orchestras in America have been faced with financial difficulties because the federal and state governments do not see fit to support the arts as they do in other places in the world.

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