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More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100: Music 101: Introduction to Music

More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100
Music 101: Introduction to Music
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table of contents
  1. Music 101: Introduction to Music
    1. Dear Student
    2. Class Schedule
    3. Music 101 Assignment
    4. Music and Dance at The Metropolitan Museum of Art
    5. Some Helpful Hints for Writing Term Papers
    6. Now that you’ve passed english 110, how many of these rules do you remembir?
    7. YouTube Adventures in Sight and Sound
    8. A Student's Credo
  2. Introduction
    1. Music is...
    2. The Relatedness of knowledge
    3. The CIPA Formula
    4. The When, Where, Why, What and Who of The When, Where, Why, What and Who of Music
    5. Some Themes of Life That Are Portrayed in Art and Music
    6. Connecting the Dots
    7. Popular and Unpopular Music
    8. Inspired Improbabilities
    9. Music as Narrative Improbabilities copy
  3. Elements
    1. A MUSIC LISTENER’S CHECKLIST
    2. Some Very Basic Things to Know About Music Theory copy
    3. Modern music notation
    4. The Overtone Series
    5. Fascinating Rhythms
    6. The World of Pitch
    7. Measuring Intervals
    8. Various Scales
    9. How The Choice of Scale Affects the Message
    10. Harmonizing with Triad
    11. Musical Instruments
    12. Musical Combinations
  4. History
    1. The Basic of Music History
    2. Western Classical Music History
    3. Some Dates to Remember If Dates Are Important
    4. HOW TO ANALYZE MUSICAL STRUCTURES
    5. A Geocentric View From CCNY
    6. VOYAGER
    7. Political Map of Europe
    8. Voyager Record Contents
    9. The Tale of Two Georgs
    10. Listening to Recorded Music
    11. Joseph Bologne, Chevalier de Saint-Georges 1745-1799
    12. From Blues to Rap
  5. Genre
    1. Historical Repertoire
    2. The Keyboard Sonata Through History
    3. Chamber Music Through History
    4. The Symphony Through History
    5. The Solo Concerto Through History
    6. Song
    7. Summertime on YouTube
    8. The Mass Through History
    9. The Ordinary of the Mass
    10. Music for the Stage Through History
    11. Music for the Ballet Through History
    12. Serge Diaghilev and the Ballets Russes 1909-1929
    13. Dance Assessment Inventory
  6. Performers
    1. Carnegie Hall
    2. Musical Performers
    3. Some Legendary Stars of Music in No Particular Order
    4. Famous Pianist Composers
    5. Famous Violinist Composers
    6. Jimmy Levine and Steve Jablonsky
    7. The Conductor
    8. The Orchestra
  7. Essays
    1. A Composer’s Complaint
    2. The Goldberg Variations
    3. Mahler Apotheosis
    4. Modern Music: A Personal Viewpoint
    5. Stravinsky: A Short Take
    6. Stockausen is Dead
  8. Appendix
    1. A Composer’s Complaint
    2. Glossary of Musical Terms
    3. Horoscope
    4. A Matter of Style
    5. Art Assessment Inventory
    6. Dance and Movement Elements Five Movement Parameters
    7. Grammy Musical Genres
    8. Music Obituaries 2017
    9. The Sound of Silence

Music 101: Introduction to Music

Professor Stephen Jablonsky

Course description:

Concepts underlying the understanding and enjoyment of music. Examples from the classical repertoire highlight matters of form and content. Attendance at a Carnegie Hall concert, as well as guided classroom listening, aid in the development of listening and communication skills. 3 hr./wk.; 3 cr.

Required Textbook:

The textbook has been designed by your instructor and will be sent to you as an email attachment. Updates will be sent to you periodically as email attachments. It is, therefore, important for you to check your email inbox on a regular basis. Even though the textbook is free you must read it as if it cost you $100. You are responsible for everything contained therein.

All the music covered in this class is available on YouTube.

Objectives:​
This course is designed to foster an understanding of the various contexts in which music is heard. Examples drawn from diverse historical and geographical repertoires will cultivate an awareness of stylistic similarities and differences. Students develop skills as active listeners, learning the vocabulary necessary to describe this experience both verbally and in writing. The purpose of the course is to introduce students to to preeminent classical composers, performers, genres and styles, and their historical context.

General Education Proficiencies:

After completing this course you will have developed the following proficiencies:

Oral and written communication skills

Students will produce well- reasoned written or oral arguments using evidence to support conclusions

.

Critical analysis

You will have had multiple experiences in critically and constructively analyzing information in different areas of study.

Information literacy

You will have had multiple experiences in gathering, interpreting, and assessing information from a variety of resources and in evaluating the reliability of this information.

Artistic/Creative expression proficiency

Students will identify and apply the fundamental concepts and methods of a discipline or interdisciplinary field exploring creative expression.

Grading:

Testing (40%)

Final Exam (10%)

Written Assignments (50%)

General Advise /Classroom Polices:

  1. Absenteenism - two weeks allowed by college policy.
  2. There will be absolutely no eating or drinking in this classroom.
  3. Late assignments are penalized.
  4. There are no makeup exams.
  5. Plagiarism and cheating will not be tolerated. Turning something in with your name on it means you take full responsibility for its contents and pledge that it is your own work. See CUNY policy below
  6. Use the bathroom before you come to class.
  7. When the class is over take all the stuff you brought with you.

CUNY Policy on Academic Integrity

As stated in the CUNY Policy on Academic Integrity: ‘Plagiarism is the act of presenting another person’s ideas, research or writings as your own. The following are some examples of plagiarism:

‘Copying another person’s actual words without the use of quotation marks and footnotes attributing the words to their source;

‘Presenting another person’s ideas or theories in your own words without acknowledging the source;

‘Using information that is not common knowledge without acknowledging the source;

‘Failing to acknowledge collaborators on homework and laboratory assignments.

‘Internet plagiarism includes submitting downloaded term papers or parts of term papers, paraphrasing or copying information from the internet without citing the source, and “cutting & pasting” from various sources without proper attribution.’

A student who plagiarizes may incur academic and disciplinary penalties, including failing grades, suspensions, and expulsion.

A complete copy of the CUNY Policy on Academic Integrity may be downloaded from the College’s home page.

Attendance

The college administration assumes that during any given semester you may need to absent yourself from class for any number of perfectly good reasons, so it is college policy that two weeks of absence should not be viewed as unreasonable. Hopefully, the fates will be kind to you and you can come to every class for which you paid. If you are absent you will want to check with your friend in class to see what you missed. When your attendance becomes problematic we need to talk.

Listening

You will notice that I do not assign listening to my students because I foolishly assume that you are truly interested in being exposed to the greatest music by the greatest composers without prompting from me. There are lists of such music in your textbook in the Genre section. All this music is free and easily accessible at YouTube so go and explore. If you want some suggestions from me feel free to write.

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