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More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100: Listening to Recorded Music

More than You Wanted to Know About Music
When You Foolishly Signed Up for 
Music 10100
Listening to Recorded Music
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table of contents
  1. Music 101: Introduction to Music
    1. Dear Student
    2. Class Schedule
    3. Music 101 Assignment
    4. Music and Dance at The Metropolitan Museum of Art
    5. Some Helpful Hints for Writing Term Papers
    6. Now that you’ve passed english 110, how many of these rules do you remembir?
    7. YouTube Adventures in Sight and Sound
    8. A Student's Credo
  2. Introduction
    1. Music is...
    2. The Relatedness of knowledge
    3. The CIPA Formula
    4. The When, Where, Why, What and Who of The When, Where, Why, What and Who of Music
    5. Some Themes of Life That Are Portrayed in Art and Music
    6. Connecting the Dots
    7. Popular and Unpopular Music
    8. Inspired Improbabilities
    9. Music as Narrative Improbabilities copy
  3. Elements
    1. A MUSIC LISTENER’S CHECKLIST
    2. Some Very Basic Things to Know About Music Theory copy
    3. Modern music notation
    4. The Overtone Series
    5. Fascinating Rhythms
    6. The World of Pitch
    7. Measuring Intervals
    8. Various Scales
    9. How The Choice of Scale Affects the Message
    10. Harmonizing with Triad
    11. Musical Instruments
    12. Musical Combinations
  4. History
    1. The Basic of Music History
    2. Western Classical Music History
    3. Some Dates to Remember If Dates Are Important
    4. HOW TO ANALYZE MUSICAL STRUCTURES
    5. A Geocentric View From CCNY
    6. VOYAGER
    7. Political Map of Europe
    8. Voyager Record Contents
    9. The Tale of Two Georgs
    10. Listening to Recorded Music
    11. Joseph Bologne, Chevalier de Saint-Georges 1745-1799
    12. From Blues to Rap
  5. Genre
    1. Historical Repertoire
    2. The Keyboard Sonata Through History
    3. Chamber Music Through History
    4. The Symphony Through History
    5. The Solo Concerto Through History
    6. Song
    7. Summertime on YouTube
    8. The Mass Through History
    9. The Ordinary of the Mass
    10. Music for the Stage Through History
    11. Music for the Ballet Through History
    12. Serge Diaghilev and the Ballets Russes 1909-1929
    13. Dance Assessment Inventory
  6. Performers
    1. Carnegie Hall
    2. Musical Performers
    3. Some Legendary Stars of Music in No Particular Order
    4. Famous Pianist Composers
    5. Famous Violinist Composers
    6. Jimmy Levine and Steve Jablonsky
    7. The Conductor
    8. The Orchestra
  7. Essays
    1. A Composer’s Complaint
    2. The Goldberg Variations
    3. Mahler Apotheosis
    4. Modern Music: A Personal Viewpoint
    5. Stravinsky: A Short Take
    6. Stockausen is Dead
  8. Appendix
    1. A Composer’s Complaint
    2. Glossary of Musical Terms
    3. Horoscope
    4. A Matter of Style
    5. Art Assessment Inventory
    6. Dance and Movement Elements Five Movement Parameters
    7. Grammy Musical Genres
    8. Music Obituaries 2017
    9. The Sound of Silence

Listening to Recorded Music

Before the late 19th century, if you wanted to hear music, you had to play it yourself or get someone to play it for you. That was the case until 1877 when Thomas Edison invented the phonograph cylinder. It was the in vogue technology until around 1910 when the shellac disk, introduced by Emile Berliner in 1889, took over. The machine that played these disks was known as the gramophone. It changed the world of music. On it, the disks spun at 78 revolutions per minute and contained only about three to four minutes of music. Recordings were strictly acoustic, made through megaphones, and did not include very high or low frequencies. The disks were brittle and broke if not properly handled.

In 1948 Columbia Records introduced microgroove recordings on vinyl disks that were flexible and did not shatter if dropped. They spun at 33 1/3rpm so they contained a lot more music, almost 26 minutes on a side. A year later RCA introduced 7-inch disks that were designed for single song popular albums. By the 1960s the 78s were gone. This new technology was labeled LP for long playing. Many strides were made in electrical recording techniques in the 1920s and 1930s so that by the time LPs came along audiences could hear the full spectrum of recorded sound, from 20Hz to 20KHz.

Although the first motion picture with sound, The Jazz Singer of 1927, used a recorded disk, movies since that time have used an optical recording track on all 35mm film. Other technologies, such as magnetic tape and magnetic wire, were also developed mid-century to record sound. The wire recorders were usually used for office dictation. Magnetic tape had the capability of two-channel recording so it was used for music and produced a stereo effect by the early 1940s. By the 1950s most vinyl recordings were mastered on tape. By the 1960s multi-track recordings were common practice.

The introduction of the compact cassette in 1964 put tape recordings in the hands of listeners worldwide. A similar technology, the higher quality 8-track tape player was mainly used in automobiles. Mechanical miniaturization led to the universally popular Sony Walkman in 1979, the first personal cassette player. Recordings were vastly improved by the contributions of Ray Dolby in the area of background noise suppression in 1966. Home sound systems ran on vacuum tubes until the introduction of the transistor in the 1960s. That is when fidelity got even higher in the hands of inventors like Avery Fisher who helped fund Philharmonic Hall in Lincoln Center.

The technology changed again in 1982 with the introduction of the digitally recorded compact disk (CD). Suddenly LPs were history and relegated to boxes in the basement. CDs were small, held a lot of music and you could record them yourself. Of course, that was a long time ago and now our CDs are in boxes in the basement next to the LPs. Since the 1990s we listen to and record music using the software in our computers and hand held devices. Our hard drives and flash drives hold more music than a room full of 78s. In your lifetime there will probably be at least one major shift in sound technology, so stay tuned for further developments. It only gets better.

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Joseph Bologne, Chevalier de Saint-Georges 1745-1799
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