AMERICAN MUSIC REVIEW

Proof of Concept

by Agustina ChecaMichelle YomKelsey MilianAngel Miranda
Contributors: RÔMULO MORAES BARBOSASTEPHEN GOMEZ-PECKMX OOPSNORIKO MANABEJULIANA CATININDONNA-LEE GRANVILLEELIZABETH NEWTON

The H. Wiley Hitchcock Institute for Studies in American Music (HISAM) supports American music scholarship, pedagogy, and performances.

We recognize and seek to connect diverse local, national, and global musical practices across a broad spectrum of oral, popular, and art music traditions. We represent scholars, performers, and creators that reflect the racial, economic, and gender diversity of our students, faculty, community, and the world.

Through our biannual publication, American Music Review, the Polycultural America Speaker Series, monographs, collection of oral histories, and forums for public musicology, the faculty and staff of HISAM seek to resist systems of oppression, acknowledge the privileges of whiteness, strive for social justice, and publicly promote antiracism.

Metadata

  • publisher
    Hitchcock Institute for Studies in American Music
  • publisher place
    New York, NY
  • rights
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