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AMERICAN MUSIC REVIEW: THE HITCHCOCK INSTITUTE FOR STUDIES IN AMERICAN MUSIC

AMERICAN MUSIC REVIEW
THE HITCHCOCK INSTITUTE FOR STUDIES IN AMERICAN MUSIC
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  1. THE HITCHCOCK INSTITUTE FOR STUDIES IN AMERICAN MUSIC
  2. CONTENTS
  3. INSTITUTE NEWS
  4. “BESPOKE ANALYSIS"
  5. CRITICAL MINDED: 20TH ANNIVERSARY KEYNOTE

THE HITCHCOCK INSTITUTE FOR STUDIES IN AMERICAN MUSIC


Agustina Checa, Director

Michelle Aojin Yom, Graduate Assistant (F2023-S2024)

Kelsey Milian, Graduate Assistant (F2024-S2025)

ADVISORY BOARD

Ray Allen, Professor emeritus, Brooklyn College and CUNY Graduate Center

George Boziwick, Chief, Music Division, The New York Public Library for the Performing Arts (retired)

Richard Crawford, Distinguished Professor emeritus, University of Michigan

George Cunningham, Professor, Department of Africana Studies, Brooklyn College

Ellie M. Hisama, Distinguished Professor, University of Toronto

Susan Tyler Hitchcock, Senior Books Editor, National Geographic Society

Stephanie Jensen-Moulton, Senior Associate Dean of Academic Affairs in the College of Visual and Performing Arts and Professor of Music. Syracuse University

Tammy L. Kernodle, Distinguished Professor of Musicology, University of Miami

Tania León, Distinguished Professor emerita, Brooklyn College

Carol J. Oja, William Powell Mason Professor of Music, Harvard University

Ursula Oppens, Distinguished Professor of Music, Brooklyn College and CUNY Graduate Center

Katherine Preston, David N. & Margaret C. Bottoms Professor of Music, The College of William and Mary

Guthrie P. Ramsey, Jr., Professor of Music, University of Pennsylvania







AMERICAN MUSIC REVIEW VOL LIII, 2024

AMR is published annually. Copyright 2024 by the H. Wiley Hitchcock Institute for Studies in American Music

Brooklyn College of the City University of New York, 2900

Bedford Ave., Brooklyn, NY 11210.

hisam.cuny@gmail.com

www.hisam.commons.gc.cuny.edu

Editor................Agustina Checa

Managing Editor..........Michelle Yom

Design and typesetting......Angel Miranda

Thank you to our anonymous peer reviewers and the support of our board members and donors. Everything we do at HISAM is aimed at resisting and combating the systems that have long marginalized certain musics, performers, practices, and voices from spaces that celebrate and study American music.


We appreciate your support as we keep working towards our mission of diversifying the study of American music with our anti-racist, feminist, and social-justice-oriented agenda; we strive to transform the spaces and narratives through which American music is valued and contribute to a richer, inclusive, and more authentic representation of its multicultural complexity.

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