THE HITCHCOCK INSTITUTE FOR STUDIES IN AMERICAN MUSIC
Agustina Checa, Director
Michelle Aojin Yom, Graduate Assistant (F2023-S2024)
Kelsey Milian, Graduate Assistant (F2024-S2025)
ADVISORY BOARD
Ray Allen, Professor emeritus, Brooklyn College and CUNY Graduate Center
George Boziwick, Chief, Music Division, The New York Public Library for the Performing Arts (retired)
Richard Crawford, Distinguished Professor emeritus, University of Michigan
George Cunningham, Professor, Department of Africana Studies, Brooklyn College
Ellie M. Hisama, Distinguished Professor, University of Toronto
Susan Tyler Hitchcock, Senior Books Editor, National Geographic Society
Stephanie Jensen-Moulton, Senior Associate Dean of Academic Affairs in the College of Visual and Performing Arts and Professor of Music. Syracuse University
Tammy L. Kernodle, Distinguished Professor of Musicology, University of Miami
Tania León, Distinguished Professor emerita, Brooklyn College
Carol J. Oja, William Powell Mason Professor of Music, Harvard University
Ursula Oppens, Distinguished Professor of Music, Brooklyn College and CUNY Graduate Center
Katherine Preston, David N. & Margaret C. Bottoms Professor of Music, The College of William and Mary
Guthrie P. Ramsey, Jr., Professor of Music, University of Pennsylvania
AMERICAN MUSIC REVIEW VOL LIII, 2024
AMR is published annually. Copyright 2024 by the H. Wiley Hitchcock Institute for Studies in American Music
Brooklyn College of the City University of New York, 2900
Bedford Ave., Brooklyn, NY 11210.
Editor................Agustina Checa
Managing Editor..........Michelle Yom
Design and typesetting......Angel Miranda
Thank you to our anonymous peer reviewers and the support of our board members and donors. Everything we do at HISAM is aimed at resisting and combating the systems that have long marginalized certain musics, performers, practices, and voices from spaces that celebrate and study American music.
We appreciate your support as we keep working towards our mission of diversifying the study of American music with our anti-racist, feminist, and social-justice-oriented agenda; we strive to transform the spaces and narratives through which American music is valued and contribute to a richer, inclusive, and more authentic representation of its multicultural complexity.