Happy Nostalgia:
Making Connections with the Music of the ‘90s
Happy Nostalgia: Making Connections with the Music of the ‘90s began at the CUNY Graduate Center as a venue for MALS students, faculty, and friends to explore the music of the 1990s. “Nostalgia” was proposed as a recognition that the decade represents a culmination, as certain analog experiences, technologies and structures came to an end. The “happy” was proposed as not simply a fondness for the past, but a recognition that the decade also marked the emergence of new trends and new templates for reading the present and celebrating how music is at the center of current understandings of politics and identity. From the beginning, one of the goals of the project was to create connections, a local community with broad interests, spanning nations, eras, and genres. The results exceeded all expectations. Contributions came from current and former MALS students, classmates from the English Ph.D. program, and faculty with MALS and other CUNY affiliations. These contributions reflect a wide range of interests and perspectives, all in conversation with each other, and, we hope, with anyone who shares an interest in the music of the 1990s and all that the possibilities it represents.
Texts
Opening Act
Introducing Happy Nostalgia
by David T Humphries, Justin Rogers-Cooper- This text has 0 annotations
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Sonic Auto-Ethnographies
Garbage and One Queer Darkling
by Lacy Telles- This text has 0 annotations
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Transport is Arranged: A Travelogue
by Max Kaplan- This text has 0 annotations
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Here in My Garage with a Laptop
by Tomo Imamichi- This text has 0 annotations
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A Couple Centuries of Sundays
by David T Humphries- This text has 0 annotations
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Reconstructing Hip Hops
“INSERT 1990s HIP HOP BOP HERE”: Sonic Happenings and Ethical Listening for 1990s Hip Hop Projects
by Todd Craig, Jaïra Placide, DeVaughn Harris, Anjelica M. Enaje, Katherine Marin, Nicole Walker- This text has 0 annotations
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Radical Genres
Arthur Russell’s “Love Comes Back”
by Addy Malinowski- This text has 0 annotations
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Shannon Forever: Blind Melon’s Bee Girl and Countercultural Afterlives
by Justin Rogers-Cooper- This text has 0 annotations
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Closing Act
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Metadata
- publisherManifold @CUNY
- publisher placeNew York, NY
- rightsThis work is licensed under a Creative Commons Attribution - CC BY-NC-SA 4.0
- rights holderDavid T. Humphries
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