Introduction to Ernest J. Gaines

Ernest J. Gaines was Louisiana’s most prodigious novelist when he passed away on November 5, 2019. He authored ten books and numerous articles; he won a National Humanities Medal, a National Medal of the Arts, and the French Ordre des Arts et des Lettres title of Chevalier; and he served as Writer-in-Residence at the University of Louisiana at Lafayette for nearly twenty-five years. Most significantly, he left behind a record of underrepresented communities in South Louisiana as, in one character’s words, “proof that we ever was.” Internationally renowned and locally revered, Gaines made a lasting impact on our cultural landscape, in part by donating his literary archives to the University for the founding of the Ernest J. Gaines Center. This study guide aims to increase access to some of the series related to Of Love and Dust.

Gaines spent his youth in Oscar, Louisiana. He was born in 1933 and lived there until 1948. Those early years proved indelible. The time he spent on the Riverlake Plantation—working the land, listening to old folks talk, writing letters for folks who did not know how to—became the inspiration for his fiction. All his published work takes place on plantations in South Louisiana, mostly set near Bayonne along the St. Charles River. Those were the fictionalized landmarks of Pointe Coupée Parish that became the fixtures in his creative universe. His writing evokes not just the sugar cane fields and old live oaks but also the social institutions of the area such as the plantation store and the house fair. In that way, his fiction offers a record of a sharecropping community that otherwise has gone largely unrepresented.

At the age of fifteen, Gaines moved to California, where his parents had been living for some years already and where he could continue his education. By his own account, having access to a library for the first time sparked his dreams of being a writer. He attended college at San Francisco State then went on to study creative writing with Wallace Stegner at Stanford. He published his first novel, Catherine Carmier, in 1964, following it up with Of Love and Dust (1967) and a collection of short stories titled Bloodline (1968). Although those early works made him neither rich nor famous, they established many of the characteristic features of Gaines’s fiction. Seeing some of the early drafts from Of Love and Dust gives a glimpse of a young artist coming to terms with how best to represent a part of world he both loved and recognized as ruthless. The study guide provides context for that complex perspective on South Louisiana with a series of keyword entries and a collection of relevant resources.