![indeed, the life and the body of poetry have really captivated me, and I do
not think that I will be satisfied to let them fad from immediate concern
until I have done a less dictated study than the one for DLB.
On this first day of the new year, I wish you a productive and satisfying 1982.
Sincerely
[Signature - Doug]
Douglas Watson](https://cuny.manifoldapp.org/system/resource/d/9/1/d9105c1a-5bd2-4188-8dfd-dc4c6852b9f2/attachment/8e69d34fcdc3f7425c32557a461e879e.jpg)
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Uploaded ![to the figures involved. I see
the problem of the last stanza
as being one of giving the
poem a combined forward
and circular movement.
“Don Quixotte” depends very
much on its (?over-) long title
for the (non Jim - visiting
reader to grasp - but
becomes clearer as one
reads. I particularly like
the puns between culinary,
sexual & war journalism
terms in “the body count so high
that tarts and sauces burned.”
- but high - punning of this
kind is an essential doubling
effect within the poem.
Was the woman who re-
moved her shoes wearing
stockings or tights? - Just
a technical problem for
sex involved here. -
All for now, except to in-
clude one poem out of
the whole [loose(!)] sequence
I’ll photocopy for you
soon. These are spring
flowers for you, Jim.
Anthony.](https://cuny.manifoldapp.org/system/resource/a/2/0/a208d14f-6336-4bb3-b478-1437d95ed93d/attachment/f9c6ca35c2c35356428fbf3dd390f2b8.jpg)
Letter from Anthony Suter March 23 1986 Page 2 of 2
Letter to Anthony Suter December 27 1975
Letter to Douglas Watson December 1981 (page 2 of 3)
Letter to Douglas Watson January 1982 (page 2 of 2)
Letter to Douglas Watson December 1981 (page 3 of 3)
![Oklahoma
Baptist
University
ABU
December 3, 1981
Dr. James A Emanuel
201, Rue de Vaugirard, A7
75015 Paris
France
Dear Dr. Emanuel:
Several weeks ago, I received a letter requesting me to assist a group of scholars
at the University of North Carolina by writing one or more essays for a forth—
coming edition of The Dictionary of Literary Biography, a three volume work
focussing on Afro—American literary artists. I agreed to help if I could, and
was promptly assigned an essay of approximately four thousand words on your
life and literary work.
Now, obviously, I am not the person in the world most qualified to write a purely
biographical piece about James AO Emanuel. But my background in the study of
American poetry and my interest in the poetry and fiction of Black Americans
(especially the work of Langston Hughes and Richard Wright) does, I think, make
me a fairly suitable compiler and evaluator of the data of your poetic and
critical achievements. Since, however, the essay I shall write will be, so far
as I can determine, one of the more extensive biographical—critical overviews
of your work to date, I am quite concerned that it be accurate in its presenta—
tion and representative in its perceptions. To achieve that, I am anxious to
correspond with you about your work and some of your specific intentions for it.
With your permission, I would like to submit a series of inquiries which, if
you would be go kind as to respond to them, might help to fill in gaps in my
research. In general, I would be curious to know what forces shaped your poetic
work, what is your perception of your roles as scholar and poet (and whether
these have supported or handicapped each other), does the fairly recent publica—
tion of Black Man Abroad and A Chisel in the Dark suggest a major shift in your
activity from scholar—educator to poet (and, thus, more books to come), and does
your present stay in France reflect such a shift or more a desire to return to
the country where you were earlier a Fulbright fellow?
Professors Davis and Harris at North Carolina have requested a January 30
submission deadline for my essay, so it is possible that you may receive further
and more specific requests from me in a subsequent letter (which may arrive
before there is time for me to get a response to this letter). I hope that you
will understand that my intention is not to shift the burden of my essay to you
but to help assure the essay’s accuracy. I would deeply appreciate your help.
Respectfully yours,
[signature]
Douglas Watson
Department of English (405) 275-2850 Shawnee, 0K 74801](https://cuny.manifoldapp.org/system/resource/a/1/6/a1684aa7-b2b3-4874-94fd-e8bd3e8995e9/attachment/bc93bccd95f22cee055a29ff5b993fbc.jpg)
Letter from Douglas Watson December 1981 (Page 1 of 3)
Letter from Anthony Suter March 23 1986 Page 1 of 2
Typewriter in the Villa on rue Marie Photo
James Emanuel Reading (centered) to Hunter College Students