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James A. Emanuel Project: Mini Story: Janet Hulstrand (Study Abroad)

James A. Emanuel Project
Mini Story: Janet Hulstrand (Study Abroad)
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table of contents
  1. 1. Navigating the James A. Emanuel Project
  2. 2. James A. Emanuel: A Brief Bio
  3. 3. Mini Story: Godelieve Simons (Visual Art)
  4. 4. Mini Story: Noah Howard (Middle Passage)
  5. 5. Mini Story: Janet Hulstrand (Study Abroad)
  6. 6. Mini Story: Dan Schneider (Cosmoetica)
  7. 7. James A. Emanuel's Black Cultural Poetics: In Four Poems
    1. Poem #1: Little Old Black Historian
    2. Poem #2: Where Will Their Names Go Down?
    3. Poem #3: For Young Blacks, the Lost Generation
    4. Poem #4: White-Belly Justice: A New York Souvenir
    5. Coda
  8. 8. James A. Emanuel's Christmas Card Padding (1991 to 2006): A Data Story
    1. Emanuel's Literary Happenings (1991 to 2006)
    2. Temporal Trends
    3. 1993: A Data Story
    4. Coda
  9. 9. Poetry Readings
  10. 10. James A. Emanuel: A Poet in Self Exile (Documentary)
  11. 11. Archival Collections References

Mini Story: Janet Hulstrand (Study Abroad)

For the first three years of Janet Hulstrand’s Paris study abroad program, Paris Through the Eyes of Travelers, she brought students from Hunter College of the City University of New York for a month-long literary adventure. They walked in the footsteps of literary giants—reading Lost Generation writers, experiencing l’art de vivre in Parisian cafés, and traveling the city’s arrondissements at the height of tourist season. But for Hulstrand, that wasn’t enough. She wanted her students to connect more deeply with the Paris they were actually in—to engage not just through its past, but with its living-literary culture. The next year would be different.


Christmas 2000 Notes on Literary Happenings of the Year (James A. EMANUEL)  Dear Friends, I submit this tenth list of Christmas-card padding:  Entry known too late for prior list:  Poem ‘The Voyage of Jimmy Poo’ illustrated in Ashley Brian's ABC of African American Poetry (New York: Simon & Schuster, 1997). Unpaged Atheneum Book.  POETRY READINGS:  19 Jan.: Universite Charles de Gaulle Lille III. Poetry reading and discussion shared with novelist Jake Lamar. .  16 April: The Live Poets Society, Paris, at the ‘Scarbo’ pub. Reading shared with John Kliphan and Glenn Shea. (Sold all books taken there.)  18 May: Le Merle Moqueur bookstore venue of the Festival franco-anglais de poesie. Poetry reading supported by Chansse Evanns, saxophonist. Others reading: Francoise Han, Patricia Nolan, and Micbel Helayel. Paris.  25 July: Cite Universitaire, Paris, reading and discussion (3 1/2hours) before study-abroad group from Hunter College of New York. (Sold 26 of 29 books taken there.)  28 Oct.: La Nouvelle Sorbonne international conference ‘African Diasporas in the Old and the New Worlds: Consciousness and Imagination,’ reading accompanied by saxophonist Chansse Evanns. Participation also in writers' roundtable with Melba Joyce Boyd, Afaa M. Weaver, et al.  23 Nov.: Herouville-Saint-Clair in Normandy, at the Cafe des Images, the French version of my ‘The Ballad of Abu-Jamal’ was read by its translator, Jean Migrenne, at a large rally for that death-row prisoner.  4-8 Dec.: U.S. Embassy (Berlin-sponsored tour, based almost entirely on poems in JAZZ from the Haiku King: readings accompanied by musicians in Stuttgart (vibraphonist Benjamin ‘Fops’ Wilson and contrabassist Arnold L. Wilson), Munich (saxophonist Klaus Kreuzeder), Leipzig (jazz guitarist Christian Rover), and Berlin (saxophonist Dirk Raulf), the last-named performance videotaped.  POEMS IN BOOKS:  Formes et Ecritures du Depart: Incursions dans les Amerigues Noires, ed. Andree-Anne KEKEH-DIKA et Helene le DANTEC-LOWRY (Paris: L'Harmattan). English versions of ‘Andrew's Cyclones,’ 23-24; ‘Bojangles and Jo,’ 85; ‘Jazzanatomy,’ 85; ‘Jazz on the Move (A Haiku Sequence),’ 86; ‘Migratory Jazz,’ 86; and ‘The Middle Passage Blues,’ 147-48.  POEMS IN JOURNALS:  Black Renaissance Noire, Vol. 2, No. 3 (Winter 1999-2000). ‘Earl 'Fatha’ Hines,’ ‘Jelly Roll Morton,’ ‘Erroll Garner,’ ‘Mahalia Jackson,’ and ‘Saxophone on Rue du Bae: Steve Lacy,’ 140-43.  Autre Sud No. 8 (mars), Marseille. As guest poet in the ‘Voix d'ailleurs’ section, I received space devoted to a biographical half-page and fifteen poems (French versions by Jean Migrenne), 90-103, titles appearing below after ART EXHIBITS if space remains.  ART EXHIBITS SHOWING JAE'S POEMS:  Fondation pour l'Art Belge Contemporain, expo ‘Florilegium 2,’ Cite Fontainas, Brussels, 11 Feb. -25 March. Godelieve Simons' engraving Rhythm in Black and White V, with illustrative haiku by me. (Hereinafter RBW V.)  Volvo Cars Gent, expo ‘Volvo Pro Arte 54,’ Gent, Belgium, 20 Feb.-15 March. RBW series of 6 engravings, averaging 40cm. x 65cm.  Marche Mondiale des Femmes, salle d'expo Ten Weyngaiert, ‘Le Parcours de Femmes,’ Brussels, 3-12 March. RBW III, IV, and V with my haiku.  Theatre Fierre Fresnay, lOe Biennale Internationale de Gravure en Val d'Oise, expo ‘Linea 2000,’ Ermont, France, 2-16 April. One RBW engraving and photographic display of JAZZ from the Haiku King. –  Accademia d'Arte di Pisa and Associazione Culturale of International Mail Art Archive, solo expo of Godelieve Simons at Saletta Kinzica, Pisa Italy, 29 April - 11 May . Engraving with ‘Smooth stone’ haiku; RBW I-Iv; and JAZZ from the Haiku King with engraving made for it b G-Sim  Arte-Fac, Universite catholique de Louvain en Woluwe, Brussels. Simons. RBW series, Blues in Black and White (poems-and-art book b G and me, 1992), Deadly James engraving, and JAZZ from the HaikuKing with its special engraving--all art by G. Simons in a one-woman show. au
Figure 1. James Emanuel's 2000 annual "Notes on Literary Happenings of the Year." He included these "Notes" of his literary engagements in his Christmas Cards between 1990 and 2006.

On July 25, 2000, Hulstrand’s Hunter College students spent three and a half hours with James A. Emanuel at the Cité internationale universitaire de Paris. He gave a poetry reading, left plenty of time for discussion, and sold twenty-six books. Emanuel documented in his “Christmas Notes” that he met with Hulstrand and her study abroad students regularly in subsequent years, at venues such as the Maison des Étudiants Arméniens and Université Paris 3, Sorbonne Nouvelle. During these class sessions, Emanuel often collaborated with Godelieve Simons—an engraver and close-artistic partner—who would present her engravings that were inspired by Emanuel’s poetry, and afterwards, Emanuel gave a poetry reading.


James A. Emanuel standing over a desk with one of his books in his hand.  He has a stack of books near him, which look to be 'Jazz from the Haiku King' and 'Whole Grain: Collected Poems 1958 to 1989.' Two students are looking at him.
Figure 2. Summer 2000 Hunter College, Paris Through the Eyes of Travelers, Instructor, Janet Hulstrand.

A friendship between Hulstrand and Emanuel seemed inevitable. Both born in the Midwest, they became writers, editors, and teachers who relocated to New York City and possessed an affinity for France. Their writings reflect their perspectives of place, which is evident in Emanuel’s Black Man Abroad: The Toulouse Poems and Hulstrand’s A Long Way from Iowa: From the Heartland to the Heart of France. Yet, it was Hulstrand’s students who helped their paths converge. Emanuel likely appreciated their CUNY connection; Hunter College sits a little over four miles from City College, where he had taught for twenty-six years. In some ways his participation in this study abroad program was a full-circle experience: Emanuel had taken sabbaticals from teaching his CUNY students to spend years as a Fulbright and visiting professor teaching African American Literature to French students at the universities in Grenoble and Toulouse, respectively. And here he was in the early 2000s, an expatriate in Paris, sharing his poetry with CUNY study-abroad students.


Desk are organized in a rectangle. James A. Emanuel is at the top of the rectangle. He is giving a poetry reading to Hunter College Students in Hulstrand's study abroad program 'Paris Through the Eyes of Travelers.'
Figure 3. Photograph of James Emanuel centered in the room reading poetry to students at Hunter College.

This is not to say that Emanuel had severed his ties to CUNY. Between 1995 and 2006, he contributed a poem nearly every year to the City College Annual Poetry Festival. In 2003, he deepened that commitment by creating the “James A. Emanuel Poetry Prize” at City College to encourage younger poets. His encouragement of younger poetry was important, for Emanuel stated in an interview with Hulstrand that “that reading or writing poetry could lead to revolutionary thought. Dictators keep their eyes on libraries, and in our truly thoughtful moments we know why” (Hulstrand October, 2009). Perhaps his engagement with the Hunter College students—and later Queen College students—in Paris helped to inspire this poetry award.


In 2009, Hulstrand wrote in her literary-travel blog Writing from the Heart, Reading for the Road that “nearly 300 students” had participated in Paris Through the Eyes of Travelers (Hulstrand March 2009). Emanuel remained involved with the program through the summer of 2013; he died less than three months later. At 92, though he was beginning to show signs of slowing down, he remained committed to serving the students. His continued involvement speaks not only to his dedication but their friendship guided by Hulstrand’s use of literature to build and sustain connections between people and places, across borders, and over time.


Figure 4. Oral History Interview with Janet Hulstrand.


Works Cited

Hulstrand, Janet. “An Interview with James A. Emanuel.” Writing from the Heart, Reading for the Road, 26 Oct. 2009, https://janethulstrand.com/2009/10/26/an-interview-with-james-a-emanuel/. Accessed 7 May 2025.

Hulstrand, Janet. “Paris Through the Eyes of Travelers.” Writing from the Heart, Reading for the Road, 29 Mar. 2009, https://janethulstrand.com/2009/03/29/hello-world/. Accessed 7 May 2025.

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