![189
above the cypress, bamboo, orange,
and palms he surveys wild
(Oh, Toro, Toro,
who cut you down
into a toy?).
Stay wild and black; [*main theme of poem, of course*]
burn my eyes like weird-streaked sunset
where I drove into your heartbeats
poured like pellets whipping through the hillside trees,
my knuckles wheeling slow into those twilight spears
your devil-snorting horns flashed out;
gore from my mind each clinging phantom fact
those close-up ghosts near Andalusian roads thrust up
as I incredulous drove nearer, saw heroic blood
that minutes before had blazoned all your side
dull down to “Osborne Sherry & Brandy,” pink words for sale;
and I stiffened stupefied to glimpse you pointed at my side,
your frightful, glossy bulk reduced to tin-lid frailty:
[*My first view of roadside signs using a whole-bull image — a surprise and disappointment.*]
a momentary, nail-thin, signpost creature
breeze-blown and slapped askew
if not for humping metal stays and dingy studs
and rusty little props
(Oh, Toro, Toro
what have they done to you?)
Some silent ones could answer: not only Andalusian toys,](https://cuny.manifoldapp.org/system/resource/e/e/6/ee6d4f3c-13d4-4453-881a-2e3386c57596/attachment/da9cd2a48a280b263447a6adc5466855.jpg)
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81 resources. Showing results 71 through 80.
Uploaded ![163
[*”Bill Collector in Harlem”: “Hi, there!: was a phrase actually seen on a low-income project hallway door in Brooklyn by the author, though the scene is here transferred to Harlem, which is in upper New York City.*]
Bill Collector in Harlem
“Hi, there!”
Some Harlem child
Had chalked on the hallway door.
Not a Georgia scrawl,
Not a “Hi, y’all”
In dirt on a sharecropper’s wall.
But tenement white,
Pert and bright,
Erect, and spelled just right
For the cockroach fat,
The shoebrush rat,
And the Upper New York cat.
Through a heavy hallway door
Some Harlem child said
“Hi, there!”
(cs. 1961)
1962](https://cuny.manifoldapp.org/system/resource/0/0/1/0017d2cc-17c2-4471-83b2-8951f78217e9/attachment/6f398ca2eb73bb8b60157979e893b7be.jpg)
Bill Collector in Harlem (with annotations)
Racism in France 2
AFTER THE POETRY READING, BLACK 2
Racism in France 1
![109
[*This poem, worked on in France, Poland, and Holland, developed from my poetry reading in Toulouse after which a colleague, Annice Mouyen (her later name, reported to me the 1st-stanza comments of some young man in the audience.*]
After the Poetry Reading, Black
His friend, the red hair and tight jeans,
took back her pen, left me THIS piece of cake:
“He’s disappointed”--meant this due half down the aisle,
himself so blond surveying,
counting those who cared--
added what she meant, sweeping off the crumbs
with “You’re not Black enough, he said.”
But do they EVER say, I thought,
just what they mean?--and didn’t even see
her fine retreat,
but went behind The Veil…
Back there with Truth, and Prosser, Turner,
[*Sojourner Truth, Gabriel Prosser (slave rebel), Nat Turner (slave rebel), Frederick Douglass, a truly great man.*]
whipped out my pocket Trans-s-lator
model Double-Oh-Daddy-oh-Douglass,
pushed chromobuttons “Blond” and “Reddish,”
laid it ‘longside the echoes in the aisle
till cake came back in Trans-s-lator slices
hard and sure as this?
“He’s disappointed:
wanted to frolic in the backyard of your mind,
smell weeds, rip up the tender shoots, peel back the shade,](https://cuny.manifoldapp.org/system/resource/0/4/4/04441135-b1b5-461e-a5c4-9f00d97124d4/attachment/06d02c7db6d0d1c247a4c787890e2568.jpg)
After the Poetry Reading, Black (with annotations) 1
![113
till I politely shook it, groping elsewhere in my mind
through new poems Black enough
(the shock that twitched his face said so)
to leave a scar.
“He’s disappointed,” I thought.
And I knew
what I meant.
1976-77
1978
113
Racism in France
[*Invited to dine by Christian et Jeannine Renaud, Friend friends, I heard the wife say, after my comments on American racism, the opening line here. By no means naïve, they could not fully grasp my attitude; and this poem cannot fully express it. The only details that came from their 5th arrondissement apartment are the 1st line, the cherry pie, the daughter, and the TV to which she escaped.*]
“But there’s racism in France too.”
She said it almost tenderly,
lifting the dessert,
the glazed cherries gleaming on the pie,
it’s maiden slice for me, the guest.
I nodded, noncommittal, at the second piece,
their blondish daughter reaching for it,
[*Marie Helene Renaud, now married.*]
Quick, like almost nine years old,
her father’s eye a brake that could not hold;
her mother’s hand a lesson lost:
in serving him, it’s careful demonstration
was outmaneuvered in the in the nearest room
by Jacqueline’s favorite TV program,
[*I changed Marie-Helene’s name.*]
“Once Upon a Time,” her anarchy kept low.](https://cuny.manifoldapp.org/system/resource/0/5/4/05481b18-dbfe-4ac8-93aa-3b6043cccf30/attachment/0c0289c13f80b7f4f1b233f0155cb5ea.jpg)
After the Poetry Reading, Black (with annotations) 5
![First ideas for Lost Generation poem, rue du Midi, 17 Aug. 1978. We have stopped whole machines to get the silence needed to hear if you are still breathingDon't you believe us? We were lying lying LYING to you:Get up get up get up get up YOU Larry, who....Get up get up get up get up YOU so-and-so, who.... image of needle dangling from arm + other "machines" dragging, maiming, confusing the Black teenagersThe noise you hear: it is the sound of our feet, the sound of our bands, the sound of our jaws... we are coming to get you get you get you... we will do anything ANYTHING to wake you up, to bring you back... we need you... wake up wake up wake up WAKE UPwe have planes to bring you back, we have bombs, yes, bombs, to blast you out of those holes if you try to hide...we have computers to tell us all, yes, ALL we need to know...we can even teach you, even you, to run them run them [computers]we have jobs oh jobs, and you have the skills: can't you plant the trees again, scoop out the rivers, repair the feathers on the birds... (Movement of poem maybe goes from beginning irritation and blame to final almost-plea to "save us" or "save me")](https://cuny.manifoldapp.org/system/resource/7/3/a/73a5a59e-4b10-4542-98ca-1f9b4db5d393/attachment/72d9b8ae46757a204ee7ed5444c9c6dd.jpg)
First ideas for LOST GENERATION
Racism in France 3
AFTER THE POETRY READING, BLACK 1