A Poet's Mind, Exercises II B

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It (Discussion) Shortened spellin (an early t echnique in f iction) and extended capitals into of the poems imitate actual sounds and e phases in i nformal talk in big-city Black reas " s" f or "his " "Whatc HU" f or " what do Y U , " " t" for "to, "/ "yr" for "your, 11 "putcha" f or "put you " etc. are commonly heard in þÿ s6 p6E ong6l iksh6. It is only t heir appearance in poetry that might seem strange. But " WHATchu ," reversed i n emphasis would be rare. (Items below, and in future exercises, include matters already treated.) 1. " mmett Ti l": comparing t he poem wi b the draft, f ind reasons for the chan es made wh enever you cen., 2. "The e ro": Th f irst 12-minute draft unskilful, became a poem. Jbat as wrong with tha t draft? 3. "Malcolm": Whichline connects with "Emmett I ill"? How does Malcolm's assassination affect th speaker? 4. "Whitey": MyBrooklyn barb r said of bis youth in Virginia, "White folks, theytried t o take everything .ood away f ro us 11 (see st. 2) The same "they" do what in this poem? Discuss t he girl's difficulties. 5. "anth r": xplain "A froed up 3 inches" and "wakin up LD." " otel napkin" refers to murderous police acts detailed in John ersey' s H ALGIERS MO TEL NCID 1968) , found in O K EVI W D GES " THE NE W 0 K T M ES I EX also leads to information on the event. 6. "Overcome": Explore t he use of "us" end "knots."

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James A. Emanuel's draft of Exercises II for students reading his textbook A Poet's Mind. These exercises focus on spelling and capitalizations.

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  • type
    Image
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  • file format
    jpg
  • file size
    3 MB
  • container title
    James A. Emanuel Papers
  • creator
    James A. Emanuel
  • issue
    Box 8 Folder 13 A Poet’s Mind, draft B, 1982
  • rights
    James A. Emanuel Estate
  • rights holder
    James A. Emanuel Estate
  • version
    Draft B