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Aphra Behn, The Rover: DRAMATIS PERSONÆ.

Aphra Behn, The Rover
DRAMATIS PERSONÆ.
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table of contents
  1. THE WORKS OF APHRA BEHN
  2. CONTENTS.
  3. PREFACE.
  4. MEMOIR OF MRS. BEHN.
  5. The Text.
  6. The Portraits Of Mrs. Behn.
  7. Footnotes
  8. Explanation of “Notes”
  9. THE ROVER; OR, THE BANISH’D CAVALIERS. PART I.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. THE ROVER; or, the Banish’d Cavaliers.
      1. PART I.
      2. DRAMATIS PERSONÆ.
      3. EPILOGUE
      4. POST-SCRIPT
      5. Notes on the Text.
      6. Notes: Critical And Explanatory.
  10. THE ROVER; OR, THE BANISH’D CAVALIERS. PART II.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. TO HIS ROYAL HIGHNESS THE DUKE, &c.
    5. THE ROVER.
      1. PART II.
      2. DRAMATIS PERSONÆ.
      3. EPILOGUE
      4. Notes on the Text.
      5. Notes: Critical And Explanatory.
  11. THE DUTCH LOVER.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. AN EPISTLE TO THE READER.
    5. DRAMATIS PERSONÆ.
    6. THE DUTCH LOVER.
      1. EPILOGUE
      2. Notes on the Text.
      3. Notes: Critical And Explanatory.
  12. THE ROUNDHEADS; OR, THE GOOD OLD CAUSE.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. To the Right Noble
    5. HENRY FITZ-ROY,
    6. THE ROUND-HEADS; or, the Good Old Cause.
      1. PROLOGUE,
      2. DRAMATIS PERSONÆ.
      3. EPILOGUE
      4. Notes on the Text.
      5. Notes: Critical And Explanatory.

PROLOGUE,
Spoken by Mr. Smith.

IN vain we labour to reform the Stage,

Poets have caught too the Disease o’th’ Age,

That Pest, of not being quiet when they’re well,

That restless Fever, in the Brethren, Zeal;

In publick Spirits call’d, Good o’ th’ Commonweal.

Some for this Faction cry, others for that,

The pious Mobile fir they know not what:

So tho by different ways the Fever seize,

In all ’tis one and the same mad Disease.

Our Author too, as all new Zealots do,

Full of Conceit and Contradiction too,

’Cause the first Project took, is now so vain,

T’attempt to play the old Game o’er again:

The Scene is only changed; for who wou’d lay

A Plot, so hopeful, just the same dull way?

Poets, like Statesmen, with a little change,

Pass off old Politicks for new and strange;

Tho the few Men of Sense decry’t aloud,

The Cheat will pass with the unthinking Croud:

The Rabble ’tis we court, those powerful things,

Whose Voices can impose even Laws on Kings.

A Pox of Sense and Reason, or dull Rules,

Give us an Audience that declares for Fools;

Our Play will stand fair: we’ve Monsters too,

Which far exceed your City Pope for Show.

Almighty Rabble,’tis to you this Day

Our humble Author dedicates the Play,

From those who in our lofty Tire sit,

Down to the dull Stage-Cullies of the Pit,

Who have much Money, and but little Wit:

Whose useful Purses, and whose empty Skulls

To private Int’rest make ye Publick Tools;

To work on Projects which the wiser frame,

And of fine Men of Business get the Name.

You who have left caballing here of late,

Imploy’d in matters of a mightier weight;

To you we make our humble Application,

You’d spare some time from your dear new Vocation,

Of drinking deep, then settling the Nation,

To countenance us, whom Commonwealths of old

Did the most politick Diversion hold.

Plays were so useful thought to Government,

That Laws were made for their Establishment;

Howe’er in Schools differing Opinions jar,

Yet all agree i’ th’ crouded Theatre,

Which none forsook in any Change or War.

That, like their Gods, unviolated stood,

Equally needful to the publick Good.

Throw then, Great Sirs, some vacant hours away,

And your Petitioners shall humbly pray. &c.

DRAMATIS PERSONÆ.

MEN.

Willmore, The Rover, in love with La Nuche,

Mr. Smith.

Beaumond, the English Ambassador’s Nephew, in love with La Nuche, contracted to Ariadne,

Mr. Williams.

Ned Blunt, an English Country Gentleman,

Mr. Underhill.

Nicholas Fetherfool, an English Squire, his Friend,

Mr. Nokes.

Shift, an English Lieutenant,

Friends and Officers to Willmore,

Mr. Wiltshire.

Hunt, an Ensign

Mr. Richards.

Harlequin, Willmore’s Man.

Abevile, Page to Beaumond.

Don Carlo an old Grandee, in love with La Nuche,

Mr. Norris.

Sancho, Bravo to La Nuche

An old Jew, Guardian to the two Monsters,

Mr. Freeman.

Porter at the English Ambassador’s.

Rag, Boy to Willmore.

Scaramouche.

WOMEN.

Ariadne, the English Ambassador’s Daughter-in-law, in love with Willmore,

Mrs. Corror.

Lucia, her Kinswoman, a Girl,

Mrs. Norris.

La Nuche, a Spanish Curtezan, in love with the Rover,

Mrs. Barry.

Petronella Elenora, her Baud,

Mrs. Norris.

Aurelia, her Woman,

Mrs. Crofts.

A Woman Giant.

A Dwarf, her Sister.

Footmen, Servants, Musicians, Operators and Spectators.

SCENE, Madrid.

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