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Aphra Behn, The Rover: THE ROVER; or, the Banish’d Cavaliers.

Aphra Behn, The Rover
THE ROVER; or, the Banish’d Cavaliers.
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table of contents
  1. THE WORKS OF APHRA BEHN
  2. CONTENTS.
  3. PREFACE.
  4. MEMOIR OF MRS. BEHN.
  5. The Text.
  6. The Portraits Of Mrs. Behn.
  7. Footnotes
  8. Explanation of “Notes”
  9. THE ROVER; OR, THE BANISH’D CAVALIERS. PART I.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. THE ROVER; or, the Banish’d Cavaliers.
      1. PART I.
      2. DRAMATIS PERSONÆ.
      3. EPILOGUE
      4. POST-SCRIPT
      5. Notes on the Text.
      6. Notes: Critical And Explanatory.
  10. THE ROVER; OR, THE BANISH’D CAVALIERS. PART II.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. TO HIS ROYAL HIGHNESS THE DUKE, &c.
    5. THE ROVER.
      1. PART II.
      2. DRAMATIS PERSONÆ.
      3. EPILOGUE
      4. Notes on the Text.
      5. Notes: Critical And Explanatory.
  11. THE DUTCH LOVER.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. AN EPISTLE TO THE READER.
    5. DRAMATIS PERSONÆ.
    6. THE DUTCH LOVER.
      1. EPILOGUE
      2. Notes on the Text.
      3. Notes: Critical And Explanatory.
  12. THE ROUNDHEADS; OR, THE GOOD OLD CAUSE.
    1. ARGUMENT.
    2. SOURCE.
    3. THEATRICAL HISTORY.
    4. To the Right Noble
    5. HENRY FITZ-ROY,
    6. THE ROUND-HEADS; or, the Good Old Cause.
      1. PROLOGUE,
      2. DRAMATIS PERSONÆ.
      3. EPILOGUE
      4. Notes on the Text.
      5. Notes: Critical And Explanatory.

THE ROVER;
or, the Banish’d Cavaliers.

PART I.

PROLOGUE,
Written by a Person of Quality.

WITS, like Physicians, never can agree,

When of a different Society;

And Rabel’s Drops were never more cry’d down

By all the Learned Doctors of the Town,

Than a new Play, whose Author is unknown:

Nor can those Doctors with more Malice sue

(And powerful Purses) the dissenting Few,

Than those with an insulting Pride do rail

At all who are not of their own Cabal.

If a Young Poet hit your Humour right,

You judge him then out of Revenge and Spite;

So amongst Men there are ridiculous Elves,

Who Monkeys hate for being too like themselves:

So that the Reason of the Grand Debate,

Why Wit so oft is damn’d, when good Plays take,

Is, that you censure as you love or hate.

Thus, like a learned Conclave, Poets sit

Catholick Judges both of Sense and Wit,

And damn or save, as they themselves think fit.

Yet those who to others Faults are so severe,

Are not so perfect, but themselves may err.

Some write correct indeed, but then the whole

(Bating their own dull Stuff i’th’ Play) is stole:

As Bees do suck from Flowers their Honey-dew,

So they rob others, striving to please you.

Some write their Characters genteel and fine,

But then they do so toil for every Line,

That what to you does easy seem, and plain,

Is the hard issue of their labouring Brain.

And some th’ Effects of all their Pains we see,

Is but to mimick good Extempore.

Others by long Converse about the Town,

Have Wit enough to write a leud Lampoon,

But their chief Skill lies in a Baudy Song.

In short, the only Wit that’s now in Fashion

Is but the Gleanings of good Conversation.

As for the Author of this coming Play,

I ask’d him what he thought fit I should say,

In thanks for your good Company to day:

He call’d me Fool, and said it was well known,

You came not here for our sakes, but your own.

New Plays are stuff’d with Wits, and with Debauches,

That croud and sweat like Cits in May-day Coaches.

DRAMATIS PERSONÆ.

MEN.

Don Antonio, the Vice-Roy’s Son,

Mr. Jevorne.

Don Pedro, a Noble Spaniard, his Friend,

Mr. Medburne.

Belvile, an English Colonel in love with Florinda,

Mr. Betterton.

Willmore, the ROVER,

Mr. Smith.

Frederick, an English Gentleman, and Friend to Belvile and Blunt,

Mr. Crosbie.

Blunt, an English Country Gentleman,

Mr. Underhill.

Stephano, Servant to Don Pedro,

Mr. Richards.

Philippo, Lucetta’s Gallant,

Mr. Percival.

Sancho, Pimp to Lucetta,

Mr. John Lee.

Risky and Sebastian, two Bravoes to Angelica.

Diego, Page to Don Antonio.

Page to Hellena.

Boy, Page to Belvile.

Blunt’s Man.

Officers and Soldiers.

WOMEN.

Florinda, Sister to Don Pedro,

Mrs. Betterton.

Hellena, a gay young Woman design’d for a Nun, and Sister to Florinda,

Mrs. Barrey.

Valeria, a Kinswoman to Florinda,

Mrs. Hughes.

Angelica Bianca, a famous Curtezan,

Mrs. Gwin.

Moretta, her Woman,

Mrs. Leigh.

Callis, Governess to Florinda and Hellena,

Mrs. Norris.

Lucetta, a jilting Wench,

Mrs. Gillow.
Servants, other Masqueraders, Men and Women.

SCENE Naples, in Carnival-time.

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