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A Vindication of the Rights of Woman with Strictures on Political and Moral Subject: HOW TO READ THE TEXT

A Vindication of the Rights of Woman with Strictures on Political and Moral Subject
HOW TO READ THE TEXT
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table of contents
  1. COPYRIGHT
  2. HOW TO READ THE TEXT
  3. Glossary
  4. Dedicatory Letter
  5. Introduction
  6. Chapter 1: Human rights and the duties they involve
  7. Chapter 2: The prevailing opinion about sexual differences
  8. Chapter 3: The same subject continued
  9. Chapter 4: The state of degradation to which woman is reduced by various causes
  10. Chapter 5: Writers who have rendered women objects of pity, bordering on contempt
    1. 1: Rousseau
    2. 2: Fordyce
    3. 3: Gregory
    4. 4: Some women
    5. 5: Chesterfield
  11. Chapter 6: The effect that an early association of ideas has on the character
  12. Chapter 7: Modesty comprehensively considered and not as a sexual virtue
  13. Chapter 8: Morality undermined by sexual notions of the importance of a good reputation
  14. Chapter 9: The pernicious effects of the unnatural distinctions established in society
  15. Chapter 10: Parental Affection
  16. Chapter 11: Duty to Parents
  17. Chapter 12: National education
  18. Chapter 13: Examples of the harm done by women’s ignorance
    1. 1: Charlatans
    2. 2: Novel-reading
    3. 3: Dressing up
    4. 4: Sensibility
    5. 5: Ignorance about child-care
    6. Section 6: Concluding thoughts
  19. About Early Modern Texts
  20. Early Modern Texts Catalog

HOW TO READ THE TEXT

[Brackets] enclose editorial explanations. Small ·dots· enclose material that has been added, but can be read as though it were part of the original text. Occasional •bullets, and also indenting of passages that are not quotations, are meant as aids to grasping the structure of a sentence or a thought. Every four-point ellipsis . . . . indicates the omission of a brief passage that seems to present more difficulty than it is worth. Longer omissions are reported between brackets in normal-sized type.

If this work gets you interested in its author, read Claire Tomalin’s fine The Life and Death of Mary Wollstonecraft (1974).

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