It may be thought, that artificial manners and exterior accomplishments are much the same; but I think the former take a far wider range, and are materially different. The one arises from affectation, and the other seems only an error in judgment.

The emotions of the mind often appear conspicuous in the countenance and manner. These emotions, when they arise from sensibility and virtue, are inexpressibly pleasing. But it is easier to copy the cast of countenance, than to cultivate the virtues which animate and improve it.

How many people are like whitened sepulchres, and careful only about appearances! yet if we are too anxious to gain the approbation of the world, we must often forfeit our own.

How bewitching is that humble softness of manners which humility gives birth to, and how faint are the imitations of affectation! That gentleness of behaviour, which makes us courteous to all, and that benevolence, which makes us loth to offend any, and studious to please every creature, is sometimes copied by the polite; but how aukward is the copy! The warmest professions of regard are prostituted on all occasions. No distinctions are made, and the esteem which is only due to merit, appears to be lavished on all—Nay, affection is affected; at least, the language is borrowed, when there is no glow of it in the heart. Civility is due to all, but regard or admiration should never be expressed when it is not felt.

As humility gives the most pleasing cast to the countenance, so from sincerity arises that artlessness of manners which is so engaging. She who suffers herself to be seen as she really is, can never be thought affected. She is not solicitous to act a part; her endeavour is not to hide; but correct her failings, and her face has of course that beauty, which an attention to the mind only gives. I never knew a person really ugly, who was not foolish or vicious; and I have seen the most beautiful features deformed by passion and vice. It is true, regular features strike at first; but it is a well ordered mind which occasions those turns of expression in the countenance, which make a lasting impression.

Feeling is ridiculous when affected; and even when felt, ought not to be displayed. It will appear if genuine; but when pushed forward to notice, it is obvious vanity has rivalled sorrow, and that the prettiness of the thing is thought of. Let the manners arise from the mind, and let there be no disguise for the genuine emotions of the heart.

Things merely ornamental are soon disregarded, and disregard can scarcely be borne when there is no internal support.

To have in this uncertain world some stay, which cannot be undermined, is of the utmost consequence; and this stay it is, which gives that dignity to the manners, which shews that a person does not depend on mere human applause for comfort and satisfaction.