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Short Fiction by Poe - Read only The Mystery of Marie Rogêt: The Power of Words

Short Fiction by Poe - Read only The Mystery of Marie Rogêt
The Power of Words
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table of contents
  1. Titlepage
  2. Imprint
  3. Edgar Allan Poe
  4. The Life of Edgar Allan Poe
  5. The Death of Edgar Allan Poe
  6. Short Fiction
    1. Metzengerstein
    2. The Duc de l’Omelette
    3. A Tale of Jerusalem
    4. Loss of Breath
    5. Bon-Bon
    6. MS. Found in a Bottle
    7. The Assignation
    8. Berenice
    9. Morella
    10. Lionizing
    11. The Unparalleled Adventure of One Hans Pfaall
    12. King Pest
    13. Shadow
    14. Four Beasts in One
    15. Mystification
    16. Silence
    17. Ligeia
    18. How to Write a Blackwood Article
    19. A Predicament
    20. The Devil in the Belfry
    21. The Man That Was Used Up
    22. The Fall of the House of Usher
    23. William Wilson
    24. The Conversation of Eiros and Charmion
    25. Why the Little Frenchman Wears His Hand in a Sling
    26. The Business Man
    27. The Man of the Crowd
    28. The Murders in the Rue Morgue
    29. A Descent Into the Maelström
    30. The Island of the Fay
    31. The Colloquy of Monos and Una
    32. Never Bet the Devil Your Head
    33. Eleonora
    34. Three Sundays in a Week
    35. The Oval Portrait
    36. The Masque of the Red Death
    37. The Landscape Garden
    38. The Mystery of Marie Rogêt
    39. The Pit and the Pendulum
    40. The Telltale Heart
    41. The Gold-Bug
    42. The Black Cat
    43. Diddling
    44. The Spectacles
    45. A Tale of the Ragged Mountains
    46. The Premature Burial
    47. Mesmeric Revelation
    48. The Oblong Box
    49. The Angel of the Odd
    50. Thou Art the Man
    51. The Literary Life of Thingum Bob, Esq.
    52. The Purloined Letter
    53. The Thousand-and-Second Tale of Scheherazade
    54. Some Words with a Mummy
    55. The Power of Words
    56. The Imp of the Perverse
    57. The System of Doctor Tarr and Professor Fether
    58. The Facts in the Case of M. Valdemar
    59. The Sphinx
    60. The Cask of Amontillado
    61. The Domain of Arnheim
    62. Mellonta Tauta
    63. Hop-Frog
    64. Von Kempelen and His Discovery
    65. X-ing a Paragrab
    66. Landor’s Cottage
  7. Endnotes
  8. Colophon
  9. Uncopyright

The Power of Words

OinosPardon, Agathos, the weakness of a spirit new-fledged with immortality!
AgathosYou have spoken nothing, my Oinos, for which pardon is to be demanded. Not even here is knowledge a thing of intuition. For wisdom, ask of the angels freely, that it may be given!
OinosBut in this existence, I dreamed that I should be at once cognizant of all things, and thus at once be happy in being cognizant of all.
AgathosAh, not in knowledge is happiness, but in the acquisition of knowledge! In forever knowing, we are forever blessed; but to know all, were the curse of a fiend.
OinosBut does not The Most High know all?
AgathosThat (since he is The Most Happy) must be still the one thing unknown even to Him.
OinosBut, since we grow hourly in knowledge, must not at last all things be known?
AgathosLook down into the abysmal distances!—attempt to force the gaze down the multitudinous vistas of the stars, as we sweep slowly through them thus—and thus—and thus! Even the spiritual vision, is it not at all points arrested by the continuous golden walls of the universe?—the walls of the myriads of the shining bodies that mere number has appeared to blend into unity?
OinosI clearly perceive that the infinity of matter is no dream.
AgathosThere are no dreams in Aidenn—but it is here whispered that, of this infinity of matter, the sole purpose is to afford infinite springs, at which the soul may allay the thirst to know, which is forever unquenchable within it—since to quench it, would be to extinguish the soul’s self. Question me then, my Oinos, freely and without fear. Come! we will leave to the left the loud harmony of the Pleiades, and swoop outward from the throne into the starry meadows beyond Orion, where, for pansies and violets, and heart’s-ease, are the beds of the triplicate and triple-tinted suns.
OinosAnd now, Agathos, as we proceed, instruct me!—speak to me in the earth’s familiar tones! I understand not what you hinted to me, just now, of the modes or of the method of what, during mortality, we were accustomed to call Creation. Do you mean to say that the Creator is not God?
AgathosI mean to say that the Deity does not create.
OinosExplain!
AgathosIn the beginning only, he created. The seeming creatures which are now, throughout the universe, so perpetually springing into being, can only be considered as the mediate or indirect, not as the direct or immediate results of the Divine creative power.
OinosAmong men, my Agathos, this idea would be considered heretical in the extreme.
AgathosAmong angels, my Oinos, it is seen to be simply true.
OinosI can comprehend you thus far—that certain operations of what we term Nature, or the natural laws, will, under certain conditions, give rise to that which has all the appearance of creation. Shortly before the final overthrow of the earth, there were, I well remember, many very successful experiments in what some philosophers were weak enough to denominate the creation of animalculae.
AgathosThe cases of which you speak were, in fact, instances of the secondary creation—and of the only species of creation which has ever been, since the first word spoke into existence the first law.
OinosAre not the starry worlds that, from the abyss of nonentity, burst hourly forth into the heavens—are not these stars, Agathos, the immediate handiwork of the King?
AgathosLet me endeavor, my Oinos, to lead you, step by step, to the conception I intend. You are well aware that, as no thought can perish, so no act is without infinite result. We moved our hands, for example, when we were dwellers on the earth, and, in so doing, gave vibration to the atmosphere which engirdled it. This vibration was indefinitely extended, till it gave impulse to every particle of the earth’s air, which thenceforward, and forever, was actuated by the one movement of the hand. This fact the mathematicians of our globe well knew. They made the special effects, indeed, wrought in the fluid by special impulses, the subject of exact calculation—so that it became easy to determine in what precise period an impulse of given extent would engirdle the orb, and impress (forever) every atom of the atmosphere circumambient. Retrograding, they found no difficulty, from a given effect, under given conditions, in determining the value of the original impulse. Now the mathematicians who saw that the results of any given impulse were absolutely endless—and who saw that a portion of these results were accurately traceable through the agency of algebraic analysis—who saw, too, the facility of the retrogradation—these men saw, at the same time, that this species of analysis itself, had within itself a capacity for indefinite progress—that there were no bounds conceivable to its advancement and applicability, except within the intellect of him who advanced or applied it. But at this point our mathematicians paused.
OinosAnd why, Agathos, should they have proceeded?
AgathosBecause there were some considerations of deep interest beyond. It was deducible from what they knew, that to a being of infinite understanding—one to whom the perfection of the algebraic analysis lay unfolded—there could be no difficulty in tracing every impulse given the air—and the ether through the air—to the remotest consequences at any even infinitely remote epoch of time. It is indeed demonstrable that every such impulse given the air, must, in the end, impress every individual thing that exists within the universe;—and the being of infinite understanding—the being whom we have imagined—might trace the remote undulations of the impulse—trace them upward and onward in their influences upon all particles of an matter—upward and onward forever in their modifications of old forms—or, in other words, in their creation of new—until he found them reflected—unimpressive at last—back from the throne of the Godhead. And not only could such a thing do this, but at any epoch, should a given result be afforded him—should one of these numberless comets, for example, be presented to his inspection—he could have no difficulty in determining, by the analytic retrogradation, to what original impulse it was due. This power of retrogradation in its absolute fullness and perfection—this faculty of referring at all epochs, all effects to all causes—is of course the prerogative of the Deity alone—but in every variety of degree, short of the absolute perfection, is the power itself exercised by the whole host of the Angelic intelligences.
OinosBut you speak merely of impulses upon the air.
AgathosIn speaking of the air, I referred only to the earth; but the general proposition has reference to impulses upon the ether—which, since it pervades, and alone pervades all space, is thus the great medium of creation.
OinosThen all motion, of whatever nature, creates?
AgathosIt must: but a true philosophy has long taught that the source of all motion is thought—and the source of all thought is—
OinosGod.
AgathosI have spoken to you, Oinos, as to a child of the fair Earth which lately perished—of impulses upon the atmosphere of the Earth.
OinosYou did.
AgathosAnd while I thus spoke, did there not cross your mind some thought of the physical power of words? Is not every word an impulse on the air?
OinosBut why, Agathos, do you weep—and why, oh why do your wings droop as we hover above this fair star—which is the greenest and yet most terrible of all we have encountered in our flight? Its brilliant flowers look like a fairy dream—but its fierce volcanoes like the passions of a turbulent heart.
AgathosThey are!—they are! This wild star—it is now three centuries since, with clasped hands, and with streaming eyes, at the feet of my beloved—I spoke it—with a few passionate sentences—into birth. Its brilliant flowers are the dearest of all unfulfilled dreams, and its raging volcanoes are the passions of the most turbulent and unhallowed of hearts.

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WEEK 6
The source text and artwork in this ebook edition are believed to be in the U.S. public domain. This ebook edition is released under the terms in the CC0 1.0 Universal Public Domain Dedication, available at https://creativecommons.org/publicdomain/zero/1.0/. For full license information see the Uncopyright file included at the end of this ebook.
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