Out from Behind This Mask [To Confront a Portrait]

       1
Out from behind this bending rough-cut mask,
These lights and shades, this drama of the whole,
This common curtain of the face contain'd in me for me, in you for
      you, in each for each,
(Tragedies, sorrows, laughter, tears—0 heaven!
The passionate teeming plays this curtain hid!)
This glaze of God's serenest purest sky,
This film of Satan's seething pit,
This heart's geography's map, this limitless small continent, this
      soundless sea;
Out from the convolutions of this globe,
This subtler astronomic orb than sun or moon, than Jupiter, Venus, Mars,
This condensation of the universe, (nay here the only universe,
Here the idea, all in this mystic handful wrapt;)
These burin'd eyes, flashing to you to pass to future time,
To launch and spin through space revolving sideling, from these to emanate,
To you whoe'er you are—a look.

       2
A traveler of thoughts and years, of peace and war,
Of youth long sped and middle age declining,
(As the first volume of a tale perused and laid away, and this the second,
Songs, ventures, speculations, presently to close,)
Lingering a moment here and now, to you I opposite turn,
As on the road or at some crevice door by chance, or open'd window,
Pausing, inclining, baring my head, you specially I greet,
To draw and clinch your soul for once inseparably with mine,
Then travel travel on.

Vocalism

       1
Vocalism, measure, concentration, determination, and the divine
      power to speak words;
Are you full-lung'd and limber-lipp'd from long trial? from vigorous
      practice? from physique?
Do you move in these broad lands as broad as they?
Come duly to the divine power to speak words?
For only at last after many years, after chastity, friendship,
      procreation, prudence, and nakedness,
After treading ground and breasting river and lake,
After a loosen'd throat, after absorbing eras, temperaments, races,
      after knowledge, freedom, crimes,
After complete faith, after clarifyings, elevations, and removing
      obstructions,
After these and more, it is just possible there comes to a man,
      woman, the divine power to speak words;
Then toward that man or that woman swiftly hasten all—none
      refuse, all attend,
Armies, ships, antiquities, libraries, paintings, machines, cities,
      hate, despair, amity, pain, theft, murder, aspiration, form in
      close ranks,
They debouch as they are wanted to march obediently through the
      mouth of that man or that woman.

       2
O what is it in me that makes me tremble so at voices?
Surely whoever speaks to me in the right voice, him or her I shall follow,
As the water follows the moon, silently, with fluid steps, anywhere
      around the globe.

All waits for the right voices;
Where is the practis'd and perfect organ? where is the develop'd soul?
For I see every word utter'd thence has deeper, sweeter, new sounds,
      impossible on less terms.

I see brains and lips closed, tympans and temples unstruck,
Until that comes which has the quality to strike and to unclose,
Until that comes which has the quality to bring forth what lies
      slumbering forever ready in all words.

To Him That Was Crucified

My spirit to yours dear brother,
Do not mind because many sounding your name do not understand you,
I do not sound your name, but I understand you,
I specify you with joy O my comrade to salute you, and to salute
      those who are with you, before and since, and those to come also,
That we all labor together transmitting the same charge and succession,
We few equals indifferent of lands, indifferent of times,
We, enclosers of all continents, all castes, allowers of all theologies,
Compassionaters, perceivers, rapport of men,
We walk silent among disputes and assertions, but reject not the
      disputers nor any thing that is asserted,
We hear the bawling and din, we are reach'd at by divisions,
      jealousies, recriminations on every side,
They close peremptorily upon us to surround us, my comrade,
Yet we walk unheld, free, the whole earth over, journeying up and
      down till we make our ineffaceable mark upon time and the diverse eras,
Till we saturate time and eras, that the men and women of races,
      ages to come, may prove brethren and lovers as we are.

You Felons on Trial in Courts

You felons on trial in courts,
You convicts in prison-cells, you sentenced assassins chain'd and
handcuff'd with iron,
Who am I too that I am not on trial or in prison?
Me ruthless and devilish as any, that my wrists are not chain'd with
iron, or my ankles with iron?

You prostitutes flaunting over the trottoirs or obscene in your rooms,
Who am I that I should call you more obscene than myself?

O culpable! I acknowledge—I expose!
(O admirers, praise not me—compliment not me—you make me wince,
I see what you do not—I know what you do not.)

Inside these breast-bones I lie smutch'd and choked,
Beneath this face that appears so impassive hell's tides continually run,
Lusts and wickedness are acceptable to me,
I walk with delinquents with passionate love,
I feel I am of them—I belong to those convicts and prostitutes myself,
And henceforth I will not deny them—for how can I deny myself?

Laws for Creations

Laws for creations,
For strong artists and leaders, for fresh broods of teachers and
      perfect literats for America,
For noble savans and coming musicians.
All must have reference to the ensemble of the world, and the
      compact truth of the world,
There shall be no subject too pronounced—all works shall illustrate
      the divine law of indirections.

What do you suppose creation is?
What do you suppose will satisfy the soul, except to walk free and
      own no superior?
What do you suppose I would intimate to you in a hundred ways, but
      that man or woman is as good as God?
And that there is no God any more divine than Yourself?
And that that is what the oldest and newest myths finally mean?
And that you or any one must approach creations through such laws?

To a Common Prostitute

Be composed—be at ease with me—I am Walt Whitman, liberal and
      lusty as Nature,
Not till the sun excludes you do I exclude you,
Not till the waters refuse to glisten for you and the leaves to
      rustle for you, do my words refuse to glisten and rustle for you.

My girl I appoint with you an appointment, and I charge you that you
      make preparation to be worthy to meet me,
And I charge you that you be patient and perfect till I come.

Till then I salute you with a significant look that you do not forget me.

I Was Looking a Long While

I was looking a long while for Intentions,
For a clew to the history of the past for myself, and for these
      chants—and now I have found it,
It is not in those paged fables in the libraries, (them I neither
      accept nor reject,)
It is no more in the legends than in all else,
It is in the present—it is this earth to-day,
It is in Democracy—(the purport and aim of all the past,)
It is the life of one man or one woman to-day—the average man of to-day,
It is in languages, social customs, literatures, arts,
It is in the broad show of artificial things, ships, machinery,
      politics, creeds, modern improvements, and the interchange of nations,
All for the modern—all for the average man of to-day.

Thought

Of persons arrived at high positions, ceremonies, wealth,
      scholarships, and the like;
(To me all that those persons have arrived at sinks away from them,
      except as it results to their bodies and souls,
So that often to me they appear gaunt and naked,
And often to me each one mocks the others, and mocks himself or herself,
And of each one the core of life, namely happiness, is full of the
      rotten excrement of maggots,
And often to me those men and women pass unwittingly the true
      realities of life, and go toward false realities,
And often to me they are alive after what custom has served them,
      but nothing more,
And often to me they are sad, hasty, unwaked sonnambules walking the dusk.)

Miracles

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night
      with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet
      and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.
To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
      ships with men in them,
What stranger miracles are there?

Sparkles from the Wheel

Where the city's ceaseless crowd moves on the livelong day,
Withdrawn I join a group of children watching, I pause aside with them.

By the curb toward the edge of the flagging,
A knife-grinder works at his wheel sharpening a great knife,
Bending over he carefully holds it to the stone, by foot and knee,
With measur'd tread he turns rapidly, as he presses with light but
      firm hand,
Forth issue then in copious golden jets,
Sparkles from the wheel.

The scene and all its belongings, how they seize and affect me,
The sad sharp-chinn'd old man with worn clothes and broad
      shoulder-band of leather,
Myself effusing and fluid, a phantom curiously floating, now here
      absorb'd and arrested,
The group, (an unminded point set in a vast surrounding,)
The attentive, quiet children, the loud, proud, restive base of the streets,
The low hoarse purr of the whirling stone, the light-press'd blade,
Diffusing, dropping, sideways-darting, in tiny showers of gold,
Sparkles from the wheel.

To a Pupil

Is reform needed? is it through you?
The greater the reform needed, the greater the Personality you need
      to accomplish it.

You! do you not see how it would serve to have eyes, blood,
      complexion, clean and sweet?
Do you not see how it would serve to have such a body and soul that
      when you enter the crowd an atmosphere of desire and command
      enters with you, and every one is impress'd with your Personality?

O the magnet! the flesh over and over!
Go, dear friend, if need be give up all else, and commence to-day to
      inure yourself to pluck, reality, self-esteem, definiteness,
      elevatedness,
Rest not till you rivet and publish yourself of your own Personality.

Unfolded out of the Folds

Unfolded out of the folds of the woman man comes unfolded, and is
      always to come unfolded,
Unfolded only out of the superbest woman of the earth is to come the
      superbest man of the earth,
Unfolded out of the friendliest woman is to come the friendliest man,
Unfolded only out of the perfect body of a woman can a man be
      form'd of perfect body,
Unfolded only out of the inimitable poems of woman can come the
      poems of man, (only thence have my poems come;)
Unfolded out of the strong and arrogant woman I love, only thence
      can appear the strong and arrogant man I love,
Unfolded by brawny embraces from the well-muscled woman
      love, only thence come the brawny embraces of the man,
Unfolded out of the folds of the woman's brain come all the folds
      of the man's brain, duly obedient,
Unfolded out of the justice of the woman all justice is unfolded,
Unfolded out of the sympathy of the woman is all sympathy;
A man is a great thing upon the earth and through eternity, but
      every of the greatness of man is unfolded out of woman;
First the man is shaped in the woman, he can then be shaped in himself.

What Am I After All

What am I after all but a child, pleas'd with the sound of my own
name? repeating it over and over;
I stand apart to hear—it never tires me.

To you your name also;
Did you think there was nothing but two or three pronunciations in
the sound of your name?

Kosmos

Who includes diversity and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality of
      the earth, and the great charity of the earth, and the equilibrium also,
Who has not look'd forth from the windows the eyes for nothing,
      or whose brain held audience with messengers for nothing,
Who contains believers and disbelievers, who is the most majestic lover,
Who holds duly his or her triune proportion of realism,
      spiritualism, and of the aesthetic or intellectual,
Who having consider'd the body finds all its organs and parts good,
Who, out of the theory of the earth and of his or her body
      understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of these States;
Who believes not only in our globe with its sun and moon, but in
      other globes with their suns and moons,
Who, constructing the house of himself or herself, not for a day
      but for all time, sees races, eras, dates, generations,
The past, the future, dwelling there, like space, inseparable together.

Others May Praise What They Like

Others may praise what they like;
But I, from the banks of the running Missouri, praise nothing in art
or aught else,
Till it has well inhaled the atmosphere of this river, also the
western prairie-scent,
And exudes it all again.

Who Learns My Lesson Complete?

Who learns my lesson complete?
Boss, journeyman, apprentice, churchman and atheist,
The stupid and the wise thinker, parents and offspring, merchant,
      clerk, porter and customer,
Editor, author, artist, and schoolboy—draw nigh and commence;
It is no lesson—it lets down the bars to a good lesson,
And that to another, and every one to another still.

The great laws take and effuse without argument,
I am of the same style, for I am their friend,
I love them quits and quits, I do not halt and make salaams.

I lie abstracted and hear beautiful tales of things and the reasons
      of things,
They are so beautiful I nudge myself to listen.

I cannot say to any person what I hear—I cannot say it to myself—
      it is very wonderful.

It is no small matter, this round and delicious globe moving so
      exactly in its orbit for ever and ever, without one jolt or
      the untruth of a single second,
I do not think it was made in six days, nor in ten thousand years,
      nor ten billions of years,
Nor plann'd and built one thing after another as an architect plans
      and builds a house.

I do not think seventy years is the time of a man or woman,
Nor that seventy millions of years is the time of a man or woman,
Nor that years will ever stop the existence of me, or any one else.

Is it wonderful that I should be immortal? as every one is immortal;
I know it is wonderful, but my eyesight is equally wonderful, and
      how I was conceived in my mother's womb is equally wonderful,
And pass'd from a babe in the creeping trance of a couple of
      summers and winters to articulate and walk—all this is
      equally wonderful.

And that my soul embraces you this hour, and we affect each other
      without ever seeing each other, and never perhaps to see
      each other, is every bit as wonderful.

And that I can think such thoughts as these is just as wonderful,
And that I can remind you, and you think them and know them to
      be true, is just as wonderful.

And that the moon spins round the earth and on with the earth, is
      equally wonderful,
And that they balance themselves with the sun and stars is equally
      wonderful.

Tests

All submit to them where they sit, inner, secure, unapproachable to
      analysis in the soul,
Not traditions, not the outer authorities are the judges,
They are the judges of outer authorities and of all traditions,
They corroborate as they go only whatever corroborates themselves,
      and touches themselves;
For all that, they have it forever in themselves to corroborate far
      and near without one exception.

The Torch

On my Northwest coast in the midst of the night a fishermen's group
stands watching,
Out on the lake that expands before them, others are spearing salmon,
The canoe, a dim shadowy thing, moves across the black water,
Bearing a torch ablaze at the prow.

O Star of France [1870-71]

O star of France,
The brightness of thy hope and strength and fame,
Like some proud ship that led the fleet so long,
Beseems to-day a wreck driven by the gale, a mastless hulk,
And 'mid its teeming madden'd half-drown'd crowds,
Nor helm nor helmsman.

Dim smitten star,
Orb not of France alone, pale symbol of my soul, its dearest hopes,
The struggle and the daring, rage divine for liberty,
Of aspirations toward the far ideal, enthusiast's dreams of brotherhood,
Of terror to the tyrant and the priest.

Star crucified—by traitors sold,
Star panting o'er a land of death, heroic land,
Strange, passionate, mocking, frivolous land.

Miserable! yet for thy errors, vanities, sins, I will not now rebuke thee,
Thy unexampled woes and pangs have quell'd them all,
And left thee sacred.

In that amid thy many faults thou ever aimedst highly,
In that thou wouldst not really sell thyself however great the price,
In that thou surely wakedst weeping from thy drugg'd sleep,
In that alone among thy sisters thou, giantess, didst rend the ones
that shamed thee,
In that thou couldst not, wouldst not, wear the usual chains,
This cross, thy livid face, thy pierced hands and feet,
The spear thrust in thy side.

O star! O ship of France, beat back and baffled long!
Bear up O smitten orb! O ship continue on!

Sure as the ship of all, the Earth itself,
Product of deathly fire and turbulent chaos,
Forth from its spasms of fury and its poisons,
Issuing at last in perfect power and beauty,
Onward beneath the sun following its course,
So thee O ship of France!

Finish'd the days, the clouds dispel'd
The travail o'er, the long-sought extrication,
When lo! reborn, high o'er the European world,
(In gladness answering thence, as face afar to face, reflecting ours
Columbia,)
Again thy star O France, fair lustrous star,
In heavenly peace, clearer, more bright than ever,
Shall beam immortal.

The Ox-Tamer

In a far-away northern county in the placid pastoral region,
Lives my farmer friend, the theme of my recitative, a famous tamer of oxen,
There they bring him the three-year-olds and the four-year-olds to
      break them,
He will take the wildest steer in the world and break him and tame him,
He will go fearless without any whip where the young bullock
      chafes up and down the yard,
The bullock's head tosses restless high in the air with raging eyes,
Yet see you! how soon his rage subsides—how soon this tamer tames him;
See you! on the farms hereabout a hundred oxen young and old,
      and he is the man who has tamed them,
They all know him, all are affectionate to him;
See you! some are such beautiful animals, so lofty looking;
Some are buff-color'd, some mottled, one has a white line running
      along his back, some are brindled,
Some have wide flaring horns (a good sign)—see you! the bright hides,
See, the two with stars on their foreheads—see, the round bodies
      and broad backs,
How straight and square they stand on their legs—what fine sagacious eyes!
How straight they watch their tamer—they wish him near them—how
      they turn to look after him!
What yearning expression! how uneasy they are when he moves away from them;
Now I marvel what it can be he appears to them, (books, politics,
      poems, depart—all else departs,)
I confess I envy only his fascination—my silent, illiterate friend,
Whom a hundred oxen love there in his life on farms,
In the northern county far, in the placid pastoral region.

An Old Man's Thought of School
[For the Inauguration of a Public School, Camden, New Jersey, 1874]

An old man's thought of school,
An old man gathering youthful memories and blooms that youth itself cannot.

Now only do I know you,
O fair auroral skies—O morning dew upon the grass!

And these I see, these sparkling eyes,
These stores of mystic meaning, these young lives,
Building, equipping like a fleet of ships, immortal ships,
Soon to sail out over the measureless seas,
On the soul's voyage.

Only a lot of boys and girls?
Only the tiresome spelling, writing, ciphering classes?
Only a public school?

Ah more, infinitely more;
(As George Fox rais'd his warning cry, "Is it this pile of brick and
mortar, these dead floors, windows, rails, you call the church?
Why this is not the church at all—the church is living, ever living
souls.")

And you America,
Cast you the real reckoning for your present?
The lights and shadows of your future, good or evil?
To girlhood, boyhood look, the teacher and the school.

Wandering at Morn

Wandering at morn,
Emerging from the night from gloomy thoughts, thee in my thoughts,
Yearning for thee harmonious Union! thee, singing bird divine!
Thee coil'd in evil times my country, with craft and black dismay,
with every meanness, treason thrust upon thee,
This common marvel I beheld—the parent thrush I watch'd feeding its young,
The singing thrush whose tones of joy and faith ecstatic,
Fail not to certify and cheer my soul.

There ponder'd, felt I,
If worms, snakes, loathsome grubs, may to sweet spiritual songs be turn'd,
If vermin so transposed, so used and bless'd may be,
Then may I trust in you, your fortunes, days, my country;
Who knows but these may be the lessons fit for you?
From these your future song may rise with joyous trills,
Destin'd to fill the world.

Italian Music in Dakota
["The Seventeenth—the finest Regimental Band I ever heard."]

Through the soft evening air enwinding all,
Rocks, woods, fort, cannon, pacing sentries, endless wilds,
In dulcet streams, in flutes' and cornets' notes,
Electric, pensive, turbulent, artificial,
(Yet strangely fitting even here, meanings unknown before,
Subtler than ever, more harmony, as if born here, related here,
Not to the city's fresco'd rooms, not to the audience of the opera house,
Sounds, echoes, wandering strains, as really here at home,
Sonnambula's innocent love, trios with Norma's anguish,
And thy ecstatic chorus Poliuto;)
Ray'd in the limpid yellow slanting sundown,
Music, Italian music in Dakota.

While Nature, sovereign of this gnarl'd realm,
Lurking in hidden barbaric grim recesses,
Acknowledging rapport however far remov'd,
(As some old root or soil of earth its last-born flower or fruit,)
Listens well pleas'd.

With All Thy Gifts

With all thy gifts America,
Standing secure, rapidly tending, overlooking the world,
Power, wealth, extent, vouchsafed to thee—with these and like of
these vouchsafed to thee,
What if one gift thou lackest? (the ultimate human problem never solving,)
The gift of perfect women fit for thee—what if that gift of gifts
thou lackest?
The towering feminine of thee? the beauty, health, completion, fit for thee?
The mothers fit for thee?

My Picture-Gallery

In a little house keep I pictures suspended, it is not a fix'd house,
It is round, it is only a few inches from one side to the other;
Yet behold, it has room for all the shows of the world, all memories!
Here the tableaus of life, and here the groupings of death;
Here, do you know this? this is cicerone himself,
With finger rais'd he points to the prodigal pictures.

The Prairie States

A newer garden of creation, no primal solitude,
Dense, joyous, modern, populous millions, cities and farms,
With iron interlaced, composite, tied, many in one,
By all the world contributed—freedom's and law's and thrift's society,
The crown and teeming paradise, so far, of time's accumulations,
To justify the past.

BOOK XXV

Proud Music of the Storm

1
Proud music of the storm,
Blast that careers so free, whistling across the prairies,
Strong hum of forest tree-tops—wind of the mountains,
Personified dim shapes—you hidden orchestras,
You serenades of phantoms with instruments alert,
Blending with Nature's rhythmus all the tongues of nations;
You chords left as by vast composers—you choruses,
You formless, free, religious dances—you from the Orient,
You undertone of rivers, roar of pouring cataracts,
You sounds from distant guns with galloping cavalry,
Echoes of camps with all the different bugle-calls,
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber, why have you seiz'd me?

      2
Come forward O my soul, and let the rest retire,
Listen, lose not, it is toward thee they tend,
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance O soul.

A festival song,
The duet of the bridegroom and the bride, a marriage-march,
With lips of love, and hearts of lovers fill'd to the brim with love,
The red-flush'd cheeks and perfumes, the cortege swarming full of
      friendly faces young and old,
To flutes' clear notes and sounding harps' cantabile.

Now loud approaching drums,
Victoria! seest thou in powder-smoke the banners torn but flying?
      the rout of the baffled?
Hearest those shouts of a conquering army?

(Ah soul, the sobs of women, the wounded groaning in agony,
The hiss and crackle of flames, the blacken'd ruins, the embers of cities,
The dirge and desolation of mankind.)

Now airs antique and mediaeval fill me,
I see and hear old harpers with their harps at Welsh festivals,
I hear the minnesingers singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the middle ages.

Now the great organ sounds,
Tremulous, while underneath, (as the hid footholds of the earth,
On which arising rest, and leaping forth depend,
All shapes of beauty, grace and strength, all hues we know,
Green blades of grass and warbling birds, children that gambol and
      play, the clouds of heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest, maternity of all the rest,
And with it every instrument in multitudes,
The players playing, all the world's musicians,
The solemn hymns and masses rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting earth's own diapason,
Of winds and woods and mighty ocean waves,
A new composite orchestra, binder of years and climes, ten-fold renewer,
As of the far-back days the poets tell, the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the journeyman come home,
And man and art with Nature fused again.

Tutti! for earth and heaven;
(The Almighty leader now for once has signal'd with his wand.)

The manly strophe of the husbands of the world,
And all the wives responding.

The tongues of violins,
(I think O tongues ye tell this heart, that cannot tell itself,
This brooding yearning heart, that cannot tell itself.)

       3
Ah from a little child,
Thou knowest soul how to me all sounds became music,
My mother's voice in lullaby or hymn,
(The voice, O tender voices, memory's loving voices,
Last miracle of all, O dearest mother's, sister's, voices;)
The rain, the growing corn, the breeze among the long-leav'd corn,
The measur'd sea-surf beating on the sand,
The twittering bird, the hawk's sharp scream,
The wild-fowl's notes at night as flying low migrating north or south,
The psalm in the country church or mid the clustering trees, the
      open air camp-meeting,
The fiddler in the tavern, the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep, the crowing cock at dawn.

All songs of current lands come sounding round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances, English warbles,
Chansons of France, Scotch tunes, and o'er the rest,
Italia's peerless compositions.

Across the stage with pallor on her face, yet lurid passion,
Stalks Norma brandishing the dagger in her hand.

I see poor crazed Lucia's eyes' unnatural gleam,
Her hair down her back falls loose and dishevel'd.

I see where Ernani walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.

To crossing swords and gray hairs bared to heaven,
The clear electric base and baritone of the world,
The trombone duo, Libertad forever!
From Spanish chestnut trees' dense shade,
By old and heavy convent walls a wailing song,
Song of lost love, the torch of youth and life quench'd in despair,
Song of the dying swan, Fernando's heart is breaking.

Awaking from her woes at last retriev'd Amina sings,
Copious as stars and glad as morning light the torrents of her joy.

(The teeming lady comes,
The lustrious orb, Venus contralto, the blooming mother,
Sister of loftiest gods, Alboni's self I hear.)

       4
I hear those odes, symphonies, operas,
I hear in the William Tell the music of an arous'd and angry people,
I hear Meyerbeer's Huguenots, the Prophet, or Robert,
Gounod's Faust, or Mozart's Don Juan.

I hear the dance-music of all nations,
The waltz, some delicious measure, lapsing, bathing me in bliss,
The bolero to tinkling guitars and clattering castanets.

I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the crusaders marching bearing the cross on high, to the
      martial clang of cymbals,
I hear dervishes monotonously chanting, interspers'd with frantic
      shouts, as they spin around turning always towards Mecca,
I see the rapt religious dances of the Persians and the Arabs,
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands as they bend their bodies,
I hear the metrical shuffling of their feet.

I see again the wild old Corybantian dance, the performers wounding
      each other,
I see the Roman youth to the shrill sound of flageolets throwing and
      catching their weapons,
As they fall on their knees and rise again.

I hear from the Mussulman mosque the muezzin calling,
I see the worshippers within, nor form nor sermon, argument nor word,
But silent, strange, devout, rais'd, glowing heads, ecstatic faces.

I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen,
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone,)
Or to Hindu flutes and the fretting twang of the vina,
A band of bayaderes.

       5
Now Asia, Africa leave me, Europe seizing inflates me,
To organs huge and bands I hear as from vast concourses of voices,
Luther's strong hymn Eine feste Burg ist unser Gott,
Rossini's Stabat Mater dolorosa,
Or floating in some high cathedral dim with gorgeous color'd windows,
The passionate Agnus Dei or Gloria in Excelsis.

Composers! mighty maestros!
And you, sweet singers of old lands, soprani, tenori, bassi!
To you a new bard caroling in the West,
Obeisant sends his love.

(Such led to thee O soul,
All senses, shows and objects, lead to thee,
But now it seems to me sound leads o'er all the rest.)

I hear the annual singing of the children in St. Paul's cathedral,
Or, under the high roof of some colossal hall, the symphonies,
      oratorios of Beethoven, Handel, or Haydn,
The Creation in billows of godhood laves me.

Give me to hold all sounds, (I madly struggling cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings, Nature's also,
The tempests, waters, winds, operas and chants, marches and dances,
Utter, pour in, for I would take them all!

       6
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences, the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love and grief and death,
I said to my silent curious soul out of the bed of the slumber-chamber,
Come, for I have found the clew I sought so long,
Let us go forth refresh'd amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish'd henceforth by our celestial dream.

And I said, moreover,
Haply what thou hast heard O soul was not the sound of winds,
Nor dream of raging storm, nor sea-hawk's flapping wings nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic, nor vast concourse of voices, nor layers
      of harmonies,
Nor strophes of husbands and wives, nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps,
But to a new rhythmus fitted for thee,
Poems bridging the way from Life to Death, vaguely wafted in night
      air, uncaught, unwritten,
Which let us go forth in the bold day and write.

BOOK XXVI

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