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On The Medusa Of Leonardo Da Vinci In The Florentine Gallery By Percy Bysshe Shelley: On The Medusa Of Leonardo Da Vinci In The Florentine Gallery By Percy Bysshe Shelley

On The Medusa Of Leonardo Da Vinci In The Florentine Gallery By Percy Bysshe Shelley
On The Medusa Of Leonardo Da Vinci In The Florentine Gallery By Percy Bysshe Shelley
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  1. On the Medusa of Leonardo Da Vinci in the Florentine Gallery
  2. Further Information about the Artwork:

A slain head of a Medusa is shown, an expression of agony writ large in her still-open eyes. Her lips are parted, her hair is made of writhing snakes, some of whom appear dead; others, dying. Only the head of the Medusa is visible, having been severed for her body.

Head of Medusa by an unknown 16th or 17th-century Flemish painter; formerly attributed to Leonardo Da Vinci. This image is public domain and is sourced from Wikimedia Commons.

Percy Bysshe Shelley: “On the Medusa of Leonardo Da Vinci in the Florentine Gallery,” as read by an unknown male speaker

On the Medusa of Leonardo Da Vinci in the Florentine Gallery

By Percy Bysshe Shelley - 1792-1822

It lieth, gazing on the midnight sky,

  Upon the cloudy mountain peak supine;  

Below, far lands are seen tremblingly;

  Its horror and its beauty are divine.

Upon its lips and eyelids seems to lie

  Loveliness like a shadow, from which shrine,  

Fiery and lurid, struggling underneath,  

The agonies of anguish and of death.

 

Yet it is less the horror than the grace  

  Which turns the gazer's spirit into stone;

Whereon the lineaments of that dead face  

  Are graven, till the characters be grown  

Into itself, and thought no more can trace;

  'Tis the melodious hue of beauty thrown  

Athwart the darkness and the glare of pain,

Which humanize and harmonize the strain.

 

And from its head as from one body grow,

  As [   ] grass out of a watery rock,

Hairs which are vipers, and they curl and flow  

  And their long tangles in each other lock,

And with unending involutions shew  

  Their mailed radiance, as it were to mock  

The torture and the death within, and saw  

The solid air with many a ragged jaw.

 

And from a stone beside, a poisonous eft

  Peeps idly into those Gorgonian eyes;

Whilst in the air a ghastly bat, bereft  

  Of sense, has flitted with a mad surprise  

Out of the cave this hideous light had cleft,

  And he comes hastening like a moth that hies

After a taper; and the midnight sky  

Flares, a light more dread than obscurity.

 

'Tis the tempestuous loveliness of terror;  

  For from the serpents gleams a brazen glare  

Kindled by that inextricable error,

  Which makes a thrilling vapour of the air  

Become a [ ] and ever-shifting mirror  

  Of all the beauty and the terror there—

A woman's countenance, with serpent locks,

Gazing in death on heaven from those wet rocks.

Further Information about the Artwork:

Title: Head of Medusa

Artist: Flemish School, (16th century) / Flemish

Current Location: Galleria degli Uffizi, Florence, Tuscany, Italy

Medium: oil on panel

Dimensions: 49x74 cms

According to Romantic Circles, “The "Head of the Medusa" that inspired Shelley is now attributed to the Flemish School, circa 1620-30. The painting is owned by the Uffizi Gallery in Florence, inventory number P1472.”

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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