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The Complete Canzoniere: 323. ‘Standomi un giorno solo a la fenestra,’

The Complete Canzoniere
323. ‘Standomi un giorno solo a la fenestra,’
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table of contents
  1. Title Page
  2. Section I - Poems 1 to 61
  3. Section II - Poems 62 to 122
  4. Section III - Poems 123 to 183
  5. Section IV - Poems 184 to 244
  6. Section V - Poems 245 to 305
  7. Section VI - Poems 306 to 366

323. ‘Standomi un giorno solo a la fenestra,’

One day, standing alone at my window,

from which I saw so many novel things,

I was almost weary merely from gazing,

I saw a wild creature appear from my right,

with human features enough to make Jove burn,

hunted by two hounds, one white, one black:

that gnawed the two flanks

of that gentle creature so fiercely

that in no time at all it led to such a pass,

that she was enclosed by stone,

bitter death had conquered great beauty:

and I was left sighing at her harsh fate.

Then I saw a ship in the deep ocean,

with silken ropes, and golden sails,

the rest equal to ivory and ebony:

the sea was calm, and the breeze was gentle,

and the sky as when no cloud veils it,

and she carried a rich cargo of virtue:

then a sudden tempest

from the east churned air and waves,

so that the ship foundered on a reef.

Oh what a heavy sadness!

A brief hour conquered, a small space hid,

that noble treasure without a peer.

In a fresh grove, the sacred branches

of a laurel flowered, young and slender,

it seemed a tree of paradise:

and such sweet singing of varied birds

issued from its shade, such noble joy,

that I was lifted above this world:

and gazing intently,

the sky altered all round, and darkened,

lightning struck, and suddenly

that happy plant

was torn up by its roots: so my life is saddened,

since I cannot ask for such another shade.

In that same grove a crystal fountain sprang

from beneath a stone, and sprinkled

sweet fresh water, murmuring gently:

no shepherd or flocks ever approached

that lovely place, secret, shadowy and dark,

but nymphs and Muses singing to its tones:

there I sat: and while

I absorbed the sweetness of that harmony,

and of the sight, I saw a cave yawn wide,

and carry with it

the fountain and its site: so I feel the grief,

and the memory alone dismays me.

I saw a strange phoenix, both its wings

clothed in crimson, and its head with gold,

solitary and alone in the wood,

I first thought its form heavenly and immortal

to the sight, till it reached the uprooted laurel,

and the fountain that the earth had swallowed:

all things fly towards their end:

seeing the leaves scattered on the ground,

and the broken trunk, and that dry spring,

it turned its beak on itself,

almost disdainfully, and in a moment vanished:

so that my heart burns with pity and love.

Lastly I saw a lovely graceful lady

go pensive among the flowers and grass,

so I can’t think of her without burning, trembling:

humble in herself, she was proud before Love:

and she had on so white a gown,

so woven it seemed gold mixed with snow:

but the crown of her head

was hidden by a dark mist:

then, stung by a little snake in the heel,

she bowed like a flower when picked,

glad and confident to depart.

Ah, nothing but weeping lasts in this world!

Song, you might well say:

‘These visions have given

my lord a sweet desire to die.’

Note: Laura reputedly died of the Black Death, in 1348, the plague being the ‘storm from the East.’

The Plague on the Island of Aegina, Matthijs Pool

‘The Plague on the Island of Aegina’ - Matthijs Pool (German, 1696 - 1727), The Rijksmuseum

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324. ‘Amor, quando fioria’
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