AMR is published annually. Copyright 2025 by the H. Wiley Hitchcock Institute for Studies in American Music. Brooklyn College of the City University of New York, 2900 Bedford Ave, Brooklyn, NY 11210.
Editor: Agustina Checa
Managing Editors: Kelsey Milian, Maurice Restrepo
Authors (in alphabetical order): Checa, Agustina; Colwell, Charles; Cuestas, Carlos; De la Corte, Rubens; Frickey, Elizabeth; Milian, Kelsey, Payan, Mercedes; Yamin, Tyler.
Thank you to our anonymous peer reviewers and to Robin Miller for ongoing assistance and guidance in our efforts to publish this issue on Manifold.
The Hitchcock Institute for Studies in American Music, 2025
Agustina Checa, Director
Kelsey Milian, Graduate Assistant (F2024-S2025)
Maurice Restrepo, Graduate Assistant (F2025-S2026)
ADVISORY BOARD
George Boziwick, Chief, Music Division, The New York Public Library for the Performing Arts
Ellie M. Hisama, Distinguished Professor, University of Toronto
Susan Tyler Hitchcock, Senior Books Editor, National Geographic Society
Stephanie Jensen-Moulton, Senior Associate Dean of Academic Affairs in the College of Visual and Performing Arts and Professor of Music. Syracuse University
Tammy L. Kernodle, Distinguished Professor of Musicology, University of Miami
Tania León, Distinguished Professor emerita, Brooklyn College
Carol J. Oja, William Powell Mason Professor of Music, Harvard University
Ursula Oppens, Distinguished Professor of Music, Brooklyn College and CUNY Graduate Center
Katherine Preston, David N. & Margaret C. Bottoms Professor of Music, College of William and Mary
Guthrie P. Ramsey, Jr., Professor of Music, University of Pennsylvania
Thank you to our board and our donors that continue to support our mission.
Everything we do at HISAM is aimed at resisting and combating the systems that have long marginalized certain musics, performers, practices, and voices from spaces that celebrate and study American music.
We appreciate your support as we keep working towards our mission of diversifying the study of American music with our anti-racist, feminist, and social-justice-oriented agenda; we strive to transform the spaces and narratives through which American music is valued and contribute to a richer, inclusive, and more authentic representation of its multicultural complexity.
