Skip to main content

Woman, Church, and State: Woman, Church, and State

Woman, Church, and State
Woman, Church, and State
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeWomen, Church, and State
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Preface
  2. I. The Matriarchate
  3. II. Celibacy
  4. III. Canon Law
  5. IV. Marquette
  6. V. Witchcraft
  7. VI. Wives
  8. VII. Polygamy
  9. VIII. Woman And Work
  10. IX. The Church Of To-Day
  11. X. Past, Present, Future

[←73]

When part singing was first introduced into the United States, great objection was made to women taking the soprano or leading part, which by virtue of his superiority it was declared belonged to man. Therefore woman was relegated to the bass or tenor but nature proved too powerful, and man was eventually compelled to take bass or tenor as his part, while woman carried the soprano, says the History of Music.

Annotate

Next Chapter
Woman, Church, and State
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org