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Woman, Church, and State: Woman, Church, and State

Woman, Church, and State
Woman, Church, and State
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table of contents
  1. Preface
  2. I. The Matriarchate
  3. II. Celibacy
  4. III. Canon Law
  5. IV. Marquette
  6. V. Witchcraft
  7. VI. Wives
  8. VII. Polygamy
  9. VIII. Woman And Work
  10. IX. The Church Of To-Day
  11. X. Past, Present, Future

[←73]

When part singing was first introduced into the United States, great objection was made to women taking the soprano or leading part, which by virtue of his superiority it was declared belonged to man. Therefore woman was relegated to the bass or tenor but nature proved too powerful, and man was eventually compelled to take bass or tenor as his part, while woman carried the soprano, says the History of Music.

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