"Can it be Phoebe?" questioned she within herself. "It must be little Phoebe; for it can be nobody else,—and there is a look of her father about her, too! But what does she want here? And how like a country cousin, to come down upon a poor body in this way, without so much as a day's notice, or asking whether she would be welcome! Well; she must have a night's lodging, I suppose; and to-morrow the child shall go back to her mother."
Phoebe, it must be understood, was that one little offshoot of the Pyncheon race to whom we have already referred, as a native of a rural part of New England, where the old fashions and feelings of relationship are still partially kept up. In her own circle, it was regarded as by no means improper for kinsfolk to visit one another without invitation, or preliminary and ceremonious warning. Yet, in consideration of Miss Hepzibah's recluse way of life, a letter had actually been written and despatched, conveying information of Phoebe's projected visit. This epistle, for three or four days past, had been in the pocket of the penny-postman, who, happening to have no other business in Pyncheon Street, had not yet made it convenient to call at the House of the Seven Gables.
"No—she can stay only one night," said Hepzibah, unbolting the door. "If Clifford were to find her here, it might disturb him!"
V May and November
PHOEBE PYNCHEON slept, on the night of her arrival, in a chamber that looked down on the garden of the old house. It fronted towards the east, so that at a very seasonable hour a glow of crimson light came flooding through the window, and bathed the dingy ceiling and paper-hangings in its own hue. There were curtains to Phoebe's bed; a dark, antique canopy, and ponderous festoons of a stuff which had been rich, and even magnificent, in its time; but which now brooded over the girl like a cloud, making a night in that one corner, while elsewhere it was beginning to be day. The morning light, however, soon stole into the aperture at the foot of the bed, betwixt those faded curtains. Finding the new guest there,—with a bloom on her cheeks like the morning's own, and a gentle stir of departing slumber in her limbs, as when an early breeze moves the foliage,—the dawn kissed her brow. It was the caress which a dewy maiden—such as the Dawn is, immortally—gives to her sleeping sister, partly from the impulse of irresistible fondness, and partly as a pretty hint that it is time now to unclose her eyes.
At the touch of those lips of light, Phoebe quietly awoke, and, for a moment, did not recognize where she was, nor how those heavy curtains chanced to be festooned around her. Nothing, indeed, was absolutely plain to her, except that it was now early morning, and that, whatever might happen next, it was proper, first of all, to get up and say her prayers. She was the more inclined to devotion from the grim aspect of the chamber and its furniture, especially the tall, stiff chairs; one of which stood close by her bedside, and looked as if some old-fashioned personage had been sitting there all night, and had vanished only just in season to escape discovery.
When Phoebe was quite dressed, she peeped out of the window, and saw a rosebush in the garden. Being a very tall one, and of luxuriant growth, it had been propped up against the side of the house, and was literally covered with a rare and very beautiful species of white rose. A large portion of them, as the girl afterwards discovered, had blight or mildew at their hearts; but, viewed at a fair distance, the whole rosebush looked as if it had been brought from Eden that very summer, together with the mould in which it grew. The truth was, nevertheless, that it had been planted by Alice Pyncheon,—she was Phoebe's great-great-grand-aunt,—in soil which, reckoning only its cultivation as a garden-plat, was now unctuous with nearly two hundred years of vegetable decay. Growing as they did, however, out of the old earth, the flowers still sent a fresh and sweet incense up to their Creator; nor could it have been the less pure and acceptable because Phoebe's young breath mingled with it, as the fragrance floated past the window. Hastening down the creaking and carpetless staircase, she found her way into the garden, gathered some of the most perfect of the roses, and brought them to her chamber.
Little Phoebe was one of those persons who possess, as their exclusive patrimony, the gift of practical arrangement. It is a kind of natural magic that enables these favored ones to bring out the hidden capabilities of things around them; and particularly to give a look of comfort and habitableness to any place which, for however brief a period, may happen to be their home. A wild hut of underbrush, tossed together by wayfarers through the primitive forest, would acquire the home aspect by one night's lodging of such a woman, and would retain it long after her quiet figure had disappeared into the surrounding shade. No less a portion of such homely witchcraft was requisite to reclaim, as it were, Phoebe's waste, cheerless, and dusky chamber, which had been untenanted so long—except by spiders, and mice, and rats, and ghosts—that it was all overgrown with the desolation which watches to obliterate every trace of man's happier hours. What was precisely Phoebe's process we find it impossible to say. She appeared to have no preliminary design, but gave a touch here and another there; brought some articles of furniture to light and dragged others into the shadow; looped up or let down a window-curtain; and, in the course of half an hour, had fully succeeded in throwing a kindly and hospitable smile over the apartment. No longer ago than the night before, it had resembled nothing so much as the old maid's heart; for there was neither sunshine nor household fire in one nor the other, and, save for ghosts and ghostly reminiscences, not a guest, for many years gone by, had entered the heart or the chamber.
There was still another peculiarity of this inscrutable charm. The bedchamber, no doubt, was a chamber of very great and varied experience, as a scene of human life: the joy of bridal nights had throbbed itself away here; new immortals had first drawn earthly breath here; and here old people had died. But—whether it were the white roses, or whatever the subtile influence might be—a person of delicate instinct would have known at once that it was now a maiden's bedchamber, and had been purified of all former evil and sorrow by her sweet breath and happy thoughts. Her dreams of the past night, being such cheerful ones, had exorcised the gloom, and now haunted the chamber in its stead.
After arranging matters to her satisfaction, Phoebe emerged from her chamber, with a purpose to descend again into the garden. Besides the rosebush, she had observed several other species of flowers growing there in a wilderness of neglect, and obstructing one another's development (as is often the parallel case in human society) by their uneducated entanglement and confusion. At the head of the stairs, however, she met Hepzibah, who, it being still early, invited her into a room which she would probably have called her boudoir, had her education embraced any such French phrase. It was strewn about with a few old books, and a work-basket, and a dusty writing-desk; and had, on one side, a large black article of furniture, of very strange appearance, which the old gentlewoman told Phoebe was a harpsichord. It looked more like a coffin than anything else; and, indeed,—not having been played upon, or opened, for years,—there must have been a vast deal of dead music in it, stifled for want of air. Human finger was hardly known to have touched its chords since the days of Alice Pyncheon, who had learned the sweet accomplishment of melody in Europe.
Hepzibah bade her young guest sit down, and, herself taking a chair near by, looked as earnestly at Phoebe's trim little figure as if she expected to see right into its springs and motive secrets.
"Cousin Phoebe," said she, at last, "I really can't see my way clear to keep you with me."
These words, however, had not the inhospitable bluntness with which they may strike the reader; for the two relatives, in a talk before bedtime, had arrived at a certain degree of mutual understanding. Hepzibah knew enough to enable her to appreciate the circumstances (resulting from the second marriage of the girl's mother) which made it desirable for Phoebe to establish herself in another home. Nor did she misinterpret Phoebe's character, and the genial activity pervading it,—one of the most valuable traits of the true New England woman,—which had impelled her forth, as might be said, to seek her fortune, but with a self-respecting purpose to confer as much benefit as she could anywise receive. As one of her nearest kindred, she had naturally betaken herself to Hepzibah, with no idea of forcing herself on her cousin's protection, but only for a visit of a week or two, which might be indefinitely extended, should it prove for the happiness of both.
To Hepzibah's blunt observation, therefore, Phoebe replied as frankly, and more cheerfully.
"Dear cousin, I cannot tell how it will be," said she. "But I really think we may suit one another much better than you suppose."
"You are a nice girl,—I see it plainly," continued Hepzibah; "and it is not any question as to that point which makes me hesitate. But, Phoebe, this house of mine is but a melancholy place for a young person to be in. It lets in the wind and rain, and the snow, too, in the garret and upper chambers, in winter-time, but it never lets in the sunshine. And as for myself, you see what I am,—a dismal and lonesome old woman (for I begin to call myself old, Phoebe), whose temper, I am afraid, is none of the best, and whose spirits are as bad as can be! I cannot make your life pleasant, Cousin Phoebe, neither can I so much as give you bread to eat."
"You will find me a cheerful little body" answered Phoebe, smiling, and yet with a kind of gentle dignity, "and I mean to earn my bread. You know I have not been brought up a Pyncheon. A girl learns many things in a New England village."
"Ah! Phoebe," said Hepzibah, sighing, "your knowledge would do but little for you here! And then it is a wretched thought that you should fling away your young days in a place like this. Those cheeks would not be so rosy after a month or two. Look at my face!" and, indeed, the contrast was very striking,—"you see how pale I am! It is my idea that the dust and continual decay of these old houses are unwholesome for the lungs."
"There is the garden,—the flowers to be taken care of," observed Phoebe. "I should keep myself healthy with exercise in the open air."
"And, after all, child," exclaimed Hepzibah, suddenly rising, as if to dismiss the subject, "it is not for me to say who shall be a guest or inhabitant of the old Pyncheon House. Its master is coming."
"Do you mean Judge Pyncheon?" asked Phoebe in surprise.
"Judge Pyncheon!" answered her cousin angrily. "He will hardly cross the threshold while I live! No, no! But, Phoebe, you shall see the face of him I speak of."
She went in quest of the miniature already described, and returned with it in her hand. Giving it to Phoebe, she watched her features narrowly, and with a certain jealousy as to the mode in which the girl would show herself affected by the picture.
"How do you like the face?" asked Hepzibah.
"It is handsome!—it is very beautiful!" said Phoebe admiringly. "It is as sweet a face as a man's can be, or ought to be. It has something of a child's expression,—and yet not childish,—only one feels so very kindly towards him! He ought never to suffer anything. One would bear much for the sake of sparing him toil or sorrow. Who is it, Cousin Hepzibah?"
"Did you never hear," whispered her cousin, bending towards her, "of Clifford Pyncheon?"
"Never. I thought there were no Pyncheons left, except yourself and our cousin Jaffrey," answered Phoebe. "And yet I seem to have heard the name of Clifford Pyncheon. Yes!—from my father or my mother; but has he not been a long while dead?"
"Well, well, child, perhaps he has!" said Hepzibah with a sad, hollow laugh; "but, in old houses like this, you know, dead people are very apt to come back again! We shall see. And, Cousin Phoebe, since, after all that I have said, your courage does not fail you, we will not part so soon. You are welcome, my child, for the present, to such a home as your kinswoman can offer you."
With this measured, but not exactly cold assurance of a hospitable purpose, Hepzibah kissed her cheek.
They now went below stairs, where Phoebe—not so much assuming the office as attracting it to herself, by the magnetism of innate fitness—took the most active part in preparing breakfast. The mistress of the house, meanwhile, as is usual with persons of her stiff and unmalleable cast, stood mostly aside; willing to lend her aid, yet conscious that her natural inaptitude would be likely to impede the business in hand. Phoebe and the fire that boiled the teakettle were equally bright, cheerful, and efficient, in their respective offices. Hepzibah gazed forth from her habitual sluggishness, the necessary result of long solitude, as from another sphere. She could not help being interested, however, and even amused, at the readiness with which her new inmate adapted herself to the circumstances, and brought the house, moreover, and all its rusty old appliances, into a suitableness for her purposes. Whatever she did, too, was done without conscious effort, and with frequent outbreaks of song, which were exceedingly pleasant to the ear. This natural tunefulness made Phoebe seem like a bird in a shadowy tree; or conveyed the idea that the stream of life warbled through her heart as a brook sometimes warbles through a pleasant little dell. It betokened the cheeriness of an active temperament, finding joy in its activity, and, therefore, rendering it beautiful; it was a New England trait,—the stern old stuff of Puritanism with a gold thread in the web.
Hepzibah brought out some old silver spoons with the family crest upon them, and a china tea-set painted over with grotesque figures of man, bird, and beast, in as grotesque a landscape. These pictured people were odd humorists, in a world of their own,—a world of vivid brilliancy, so far as color went, and still unfaded, although the teapot and small cups were as ancient as the custom itself of tea-drinking.
"Your great-great-great-great-grandmother had these cups, when she was married," said Hepzibah to Phoebe. "She was a Davenport, of a good family. They were almost the first teacups ever seen in the colony; and if one of them were to be broken, my heart would break with it. But it is nonsense to speak so about a brittle teacup, when I remember what my heart has gone through without breaking."
The cups—not having been used, perhaps, since Hepzibah's youth—had contracted no small burden of dust, which Phoebe washed away with so much care and delicacy as to satisfy even the proprietor of this invaluable china.
"What a nice little housewife you are!" exclaimed the latter, smiling, and at the same time frowning so prodigiously that the smile was sunshine under a thunder-cloud. "Do you do other things as well? Are you as good at your book as you are at washing teacups?"
"Not quite, I am afraid," said Phoebe, laughing at the form of Hepzibah's question. "But I was schoolmistress for the little children in our district last summer, and might have been so still."
"Ah! 'tis all very well!" observed the maiden lady, drawing herself up. "But these things must have come to you with your mother's blood. I never knew a Pyncheon that had any turn for them."
It is very queer, but not the less true, that people are generally quite as vain, or even more so, of their deficiencies than of their available gifts; as was Hepzibah of this native inapplicability, so to speak, of the Pyncheons to any useful purpose. She regarded it as an hereditary trait; and so, perhaps, it was, but unfortunately a morbid one, such as is often generated in families that remain long above the surface of society.
Before they left the breakfast-table, the shop-bell rang sharply, and Hepzibah set down the remnant of her final cup of tea, with a look of sallow despair that was truly piteous to behold. In cases of distasteful occupation, the second day is generally worse than the first. We return to the rack with all the soreness of the preceding torture in our limbs. At all events, Hepzibah had fully satisfied herself of the impossibility of ever becoming wonted to this peevishly obstreperous little bell. Ring as often as it might, the sound always smote upon her nervous system rudely and suddenly. And especially now, while, with her crested teaspoons and antique china, she was flattering herself with ideas of gentility, she felt an unspeakable disinclination to confront a customer.
"Do not trouble yourself, dear cousin!" cried Phoebe, starting lightly up. "I am shop-keeper to-day."
"You, child!" exclaimed Hepzibah. "What can a little country girl know of such matters?"
"Oh, I have done all the shopping for the family at our village store," said Phoebe. "And I have had a table at a fancy fair, and made better sales than anybody. These things are not to be learnt; they depend upon a knack that comes, I suppose," added she, smiling, "with one's mother's blood. You shall see that I am as nice a little saleswoman as I am a housewife!"
The old gentlewoman stole behind Phoebe, and peeped from the passageway into the shop, to note how she would manage her undertaking. It was a case of some intricacy. A very ancient woman, in a white short gown and a green petticoat, with a string of gold beads about her neck, and what looked like a nightcap on her head, had brought a quantity of yarn to barter for the commodities of the shop. She was probably the very last person in town who still kept the time-honored spinning-wheel in constant revolution. It was worth while to hear the croaking and hollow tones of the old lady, and the pleasant voice of Phoebe, mingling in one twisted thread of talk; and still better to contrast their figures,—so light and bloomy,—so decrepit and dusky,—with only the counter betwixt them, in one sense, but more than threescore years, in another. As for the bargain, it was wrinkled slyness and craft pitted against native truth and sagacity.
"Was not that well done?" asked Phoebe, laughing, when the customer was gone.
"Nicely done, indeed, child!" answered Hepzibah. "I could not have gone through with it nearly so well. As you say, it must be a knack that belongs to you on the mother's side."
It is a very genuine admiration, that with which persons too shy or too awkward to take a due part in the bustling world regard the real actors in life's stirring scenes; so genuine, in fact, that the former are usually fain to make it palatable to their self-love, by assuming that these active and forcible qualities are incompatible with others, which they choose to deem higher and more important. Thus, Hepzibah was well content to acknowledge Phoebe's vastly superior gifts as a shop-keeper'—she listened, with compliant ear, to her suggestion of various methods whereby the influx of trade might be increased, and rendered profitable, without a hazardous outlay of capital. She consented that the village maiden should manufacture yeast, both liquid and in cakes; and should brew a certain kind of beer, nectareous to the palate, and of rare stomachic virtues; and, moreover, should bake and exhibit for sale some little spice-cakes, which whosoever tasted would longingly desire to taste again. All such proofs of a ready mind and skilful handiwork were highly acceptable to the aristocratic hucksteress, so long as she could murmur to herself with a grim smile, and a half-natural sigh, and a sentiment of mixed wonder, pity, and growing affection:—
"What a nice little body she is! If she only could be a lady; too—but that's impossible! Phoebe is no Pyncheon. She takes everything from her mother!"
As to Phoebe's not being a lady, or whether she were a lady or no, it was a point, perhaps, difficult to decide, but which could hardly have come up for judgment at all in any fair and healthy mind. Out of New England, it would be impossible to meet with a person combining so many ladylike attributes with so many others that form no necessary (if compatible) part of the character. She shocked no canon of taste; she was admirably in keeping with herself, and never jarred against surrounding circumstances. Her figure, to be sure,—so small as to be almost childlike, and so elastic that motion seemed as easy or easier to it than rest, would hardly have suited one's idea of a countess. Neither did her face—with the brown ringlets on either side, and the slightly piquant nose, and the wholesome bloom, and the clear shade of tan, and the half dozen freckles, friendly remembrances of the April sun and breeze—precisely give us a right to call her beautiful. But there was both lustre and depth in her eyes. She was very pretty; as graceful as a bird, and graceful much in the same way; as pleasant about the house as a gleam of sunshine falling on the floor through a shadow of twinkling leaves, or as a ray of firelight that dances on the wall while evening is drawing nigh. Instead of discussing her claim to rank among ladies, it would be preferable to regard Phoebe as the example of feminine grace and availability combined, in a state of society, if there were any such, where ladies did not exist. There it should be woman's office to move in the midst of practical affairs, and to gild them all, the very homeliest,—were it even the scouring of pots and kettles,—with an atmosphere of loveliness and joy.
Such was the sphere of Phoebe. To find the born and educated lady, on the other hand, we need look no farther than Hepzibah, our forlorn old maid, in her rustling and rusty silks, with her deeply cherished and ridiculous consciousness of long descent, her shadowy claims to princely territory, and, in the way of accomplishment, her recollections, it may be, of having formerly thrummed on a harpsichord, and walked a minuet, and worked an antique tapestry-stitch on her sampler. It was a fair parallel between new Plebeianism and old Gentility.
It really seemed as if the battered visage of the House of the Seven Gables, black and heavy-browed as it still certainly looked, must have shown a kind of cheerfulness glimmering through its dusky windows as Phoebe passed to and fro in the interior. Otherwise, it is impossible to explain how the people of the neighborhood so soon became aware of the girl's presence. There was a great run of custom, setting steadily in, from about ten o' clock until towards noon,—relaxing, somewhat, at dinner-time, but recommencing in the afternoon, and, finally, dying away a half an hour or so before the long day's sunset. One of the stanchest patrons was little Ned Higgins, the devourer of Jim Crow and the elephant, who to-day signalized his omnivorous prowess by swallowing two dromedaries and a locomotive. Phoebe laughed, as she summed up her aggregate of sales upon the slate; while Hepzibah, first drawing on a pair of silk gloves, reckoned over the sordid accumulation of copper coin, not without silver intermixed, that had jingled into the till.
"We must renew our stock, Cousin Hepzibah!" cried the little saleswoman. "The gingerbread figures are all gone, and so are those Dutch wooden milkmaids, and most of our other playthings. There has been constant inquiry for cheap raisins, and a great cry for whistles, and trumpets, and jew's-harps; and at least a dozen little boys have asked for molasses-candy. And we must contrive to get a peck of russet apples, late in the season as it is. But, dear cousin, what an enormous heap of copper! Positively a copper mountain!"
"Well done! well done! well done!" quoth Uncle Venner, who had taken occasion to shuffle in and out of the shop several times in the course of the day. "Here's a girl that will never end her days at my farm! Bless my eyes, what a brisk little soul!"
"Yes, Phoebe is a nice girl!" said Hepzibah, with a scowl of austere approbation. "But, Uncle Venner, you have known the family a great many years. Can you tell me whether there ever was a Pyncheon whom she takes after?"
"I don't believe there ever was," answered the venerable man. "At any rate, it never was my luck to see her like among them, nor, for that matter, anywhere else. I've seen a great deal of the world, not only in people's kitchens and back-yards but at the street-corners, and on the wharves, and in other places where my business calls me; and I'm free to say, Miss Hepzibah, that I never knew a human creature do her work so much like one of God's angels as this child Phoebe does!"
Uncle Venner's eulogium, if it appear rather too high-strained for the person and occasion, had, nevertheless, a sense in which it was both subtile and true. There was a spiritual quality in Phoebe's activity. The life of the long and busy day—spent in occupations that might so easily have taken a squalid and ugly aspect—had been made pleasant, and even lovely, by the spontaneous grace with which these homely duties seemed to bloom out of her character; so that labor, while she dealt with it, had the easy and flexible charm of play. Angels do not toil, but let their good works grow out of them; and so did Phoebe.
The two relatives—the young maid and the old one—found time before nightfall, in the intervals of trade, to make rapid advances towards affection and confidence. A recluse, like Hepzibah, usually displays remarkable frankness, and at least temporary affability, on being absolutely cornered, and brought to the point of personal intercourse; like the angel whom Jacob wrestled with, she is ready to bless you when once overcome.
The old gentlewoman took a dreary and proud satisfaction in leading Phoebe from room to room of the house, and recounting the traditions with which, as we may say, the walls were lugubriously frescoed. She showed the indentations made by the lieutenant-governor's sword-hilt in the door-panels of the apartment where old Colonel Pyncheon, a dead host, had received his affrighted visitors with an awful frown. The dusky terror of that frown, Hepzibah observed, was thought to be lingering ever since in the passageway. She bade Phoebe step into one of the tall chairs, and inspect the ancient map of the Pyncheon territory at the eastward. In a tract of land on which she laid her finger, there existed a silver mine, the locality of which was precisely pointed out in some memoranda of Colonel Pyncheon himself, but only to be made known when the family claim should be recognized by government. Thus it was for the interest of all New England that the Pyncheons should have justice done them. She told, too, how that there was undoubtedly an immense treasure of English guineas hidden somewhere about the house, or in the cellar, or possibly in the garden.
"If you should happen to find it, Phoebe," said Hepzibah, glancing aside at her with a grim yet kindly smile, "we will tie up the shop-bell for good and all!"
"Yes, dear cousin," answered Phoebe; "but, in the mean time, I hear somebody ringing it!"
When the customer was gone, Hepzibah talked rather vaguely, and at great length, about a certain Alice Pyncheon, who had been exceedingly beautiful and accomplished in her lifetime, a hundred years ago. The fragrance of her rich and delightful character still lingered about the place where she had lived, as a dried rose-bud scents the drawer where it has withered and perished. This lovely Alice had met with some great and mysterious calamity, and had grown thin and white, and gradually faded out of the world. But, even now, she was supposed to haunt the House of the Seven Gables, and, a great many times,—especially when one of the Pyncheons was to die,—she had been heard playing sadly and beautifully on the harpsichord. One of these tunes, just as it had sounded from her spiritual touch, had been written down by an amateur of music; it was so exquisitely mournful that nobody, to this day, could bear to hear it played, unless when a great sorrow had made them know the still profounder sweetness of it.
"Was it the same harpsichord that you showed me?" inquired Phoebe.
"The very same," said Hepzibah. "It was Alice Pyncheon's harpsichord. When I was learning music, my father would never let me open it. So, as I could only play on my teacher's instrument, I have forgotten all my music long ago."
Leaving these antique themes, the old lady began to talk about the daguerreotypist, whom, as he seemed to be a well-meaning and orderly young man, and in narrow circumstances, she had permitted to take up his residence in one of the seven gables. But, on seeing more of Mr. Holgrave, she hardly knew what to make of him. He had the strangest companions imaginable; men with long beards, and dressed in linen blouses, and other such new-fangled and ill-fitting garments; reformers, temperance lecturers, and all manner of cross-looking philanthropists; community-men, and come-outers, as Hepzibah believed, who acknowledged no law, and ate no solid food, but lived on the scent of other people's cookery, and turned up their noses at the fare. As for the daguerreotypist, she had read a paragraph in a penny paper, the other day, accusing him of making a speech full of wild and disorganizing matter, at a meeting of his banditti-like associates. For her own part, she had reason to believe that he practised animal magnetism, and, if such things were in fashion nowadays, should be apt to suspect him of studying the Black Art up there in his lonesome chamber.
"But, dear cousin," said Phoebe, "if the young man is so dangerous, why do you let him stay? If he does nothing worse, he may set the house on fire!"
"Why, sometimes," answered Hepzibah, "I have seriously made it a question, whether I ought not to send him away. But, with all his oddities, he is a quiet kind of a person, and has such a way of taking hold of one's mind, that, without exactly liking him (for I don't know enough of the young man), I should be sorry to lose sight of him entirely. A woman clings to slight acquaintances when she lives so much alone as I do."
"But if Mr. Holgrave is a lawless person!" remonstrated Phoebe, a part of whose essence it was to keep within the limits of law.
"Oh!" said Hepzibah carelessly,—for, formal as she was, still, in her life's experience, she had gnashed her teeth against human law,—"I suppose he has a law of his own!"
VI Maule's Well
AFTER an early tea, the little country-girl strayed into the garden. The enclosure had formerly been very extensive, but was now contracted within small compass, and hemmed about, partly by high wooden fences, and partly by the outbuildings of houses that stood on another street. In its centre was a grass-plat, surrounding a ruinous little structure, which showed just enough of its original design to indicate that it had once been a summer-house. A hop-vine, springing from last year's root, was beginning to clamber over it, but would be long in covering the roof with its green mantle. Three of the seven gables either fronted or looked sideways, with a dark solemnity of aspect, down into the garden.
The black, rich soil had fed itself with the decay of a long period of time; such as fallen leaves, the petals of flowers, and the stalks and seed—vessels of vagrant and lawless plants, more useful after their death than ever while flaunting in the sun. The evil of these departed years would naturally have sprung up again, in such rank weeds (symbolic of the transmitted vices of society) as are always prone to root themselves about human dwellings. Phoebe saw, however, that their growth must have been checked by a degree of careful labor, bestowed daily and systematically on the garden. The white double rosebush had evidently been propped up anew against the house since the commencement of the season; and a pear-tree and three damson-trees, which, except a row of currant-bushes, constituted the only varieties of fruit, bore marks of the recent amputation of several superfluous or defective limbs. There were also a few species of antique and hereditary flowers, in no very flourishing condition, but scrupulously weeded; as if some person, either out of love or curiosity, had been anxious to bring them to such perfection as they were capable of attaining. The remainder of the garden presented a well-selected assortment of esculent vegetables, in a praiseworthy state of advancement. Summer squashes almost in their golden blossom; cucumbers, now evincing a tendency to spread away from the main stock, and ramble far and wide; two or three rows of string-beans and as many more that were about to festoon themselves on poles; tomatoes, occupying a site so sheltered and sunny that the plants were already gigantic, and promised an early and abundant harvest.
Phoebe wondered whose care and toil it could have been that had planted these vegetables, and kept the soil so clean and orderly. Not surely her cousin Hepzibah's, who had no taste nor spirits for the lady-like employment of cultivating flowers, and—with her recluse habits, and tendency to shelter herself within the dismal shadow of the house—would hardly have come forth under the speck of open sky to weed and hoe among the fraternity of beans and squashes.
It being her first day of complete estrangement from rural objects, Phoebe found an unexpected charm in this little nook of grass, and foliage, and aristocratic flowers, and plebeian vegetables. The eye of Heaven seemed to look down into it pleasantly, and with a peculiar smile, as if glad to perceive that nature, elsewhere overwhelmed, and driven out of the dusty town, had here been able to retain a breathing-place. The spot acquired a somewhat wilder grace, and yet a very gentle one, from the fact that a pair of robins had built their nest in the pear-tree, and were making themselves exceedingly busy and happy in the dark intricacy of its boughs. Bees, too,—strange to say,—had thought it worth their while to come hither, possibly from the range of hives beside some farm-house miles away. How many aerial voyages might they have made, in quest of honey, or honey-laden, betwixt dawn and sunset! Yet, late as it now was, there still arose a pleasant hum out of one or two of the squash-blossoms, in the depths of which these bees were plying their golden labor. There was one other object in the garden which Nature might fairly claim as her inalienable property, in spite of whatever man could do to render it his own. This was a fountain, set round with a rim of old mossy stones, and paved, in its bed, with what appeared to be a sort of mosaic-work of variously colored pebbles. The play and slight agitation of the water, in its upward gush, wrought magically with these variegated pebbles, and made a continually shifting apparition of quaint figures, vanishing too suddenly to be definable. Thence, swelling over the rim of moss-grown stones, the water stole away under the fence, through what we regret to call a gutter, rather than a channel. Nor must we forget to mention a hen-coop of very reverend antiquity that stood in the farther corner of the garden, not a great way from the fountain. It now contained only Chanticleer, his two wives, and a solitary chicken. All of them were pure specimens of a breed which had been transmitted down as an heirloom in the Pyncheon family, and were said, while in their prime, to have attained almost the size of turkeys, and, on the score of delicate flesh, to be fit for a prince's table. In proof of the authenticity of this legendary renown, Hepzibah could have exhibited the shell of a great egg, which an ostrich need hardly have been ashamed of. Be that as it might, the hens were now scarcely larger than pigeons, and had a queer, rusty, withered aspect, and a gouty kind of movement, and a sleepy and melancholy tone throughout all the variations of their clucking and cackling. It was evident that the race had degenerated, like many a noble race besides, in consequence of too strict a watchfulness to keep it pure. These feathered people had existed too long in their distinct variety; a fact of which the present representatives, judging by their lugubrious deportment, seemed to be aware. They kept themselves alive, unquestionably, and laid now and then an egg, and hatched a chicken; not for any pleasure of their own, but that the world might not absolutely lose what had once been so admirable a breed of fowls. The distinguishing mark of the hens was a crest of lamentably scanty growth, in these latter days, but so oddly and wickedly analogous to Hepzibah's turban, that Phoebe—to the poignant distress of her conscience, but inevitably—was led to fancy a general resemblance betwixt these forlorn bipeds and her respectable relative.
The girl ran into the house to get some crumbs of bread, cold potatoes, and other such scraps as were suitable to the accommodating appetite of fowls. Returning, she gave a peculiar call, which they seemed to recognize. The chicken crept through the pales of the coop and ran, with some show of liveliness, to her feet; while Chanticleer and the ladies of his household regarded her with queer, sidelong glances, and then croaked one to another, as if communicating their sage opinions of her character. So wise, as well as antique, was their aspect, as to give color to the idea, not merely that they were the descendants of a time-honored race, but that they had existed, in their individual capacity, ever since the House of the Seven Gables was founded, and were somehow mixed up with its destiny. They were a species of tutelary sprite, or Banshee; although winged and feathered differently from most other guardian angels.
"Here, you odd little chicken!" said Phoebe; "here are some nice crumbs for you!"
The chicken, hereupon, though almost as venerable in appearance as its mother—possessing, indeed, the whole antiquity of its progenitors in miniature,—mustered vivacity enough to flutter upward and alight on Phoebe's shoulder.
"That little fowl pays you a high compliment!" said a voice behind Phoebe.
Turning quickly, she was surprised at sight of a young man, who had found access into the garden by a door opening out of another gable than that whence she had emerged. He held a hoe in his hand, and, while Phoebe was gone in quest of the crumbs, had begun to busy himself with drawing up fresh earth about the roots of the tomatoes.
"The chicken really treats you like an old acquaintance," continued he in a quiet way, while a smile made his face pleasanter than Phoebe at first fancied it. "Those venerable personages in the coop, too, seem very affably disposed. You are lucky to be in their good graces so soon! They have known me much longer, but never honor me with any familiarity, though hardly a day passes without my bringing them food. Miss Hepzibah, I suppose, will interweave the fact with her other traditions, and set it down that the fowls know you to be a Pyncheon!"
"The secret is," said Phoebe, smiling, "that I have learned how to talk with hens and chickens."
"Ah, but these hens," answered the young man,—"these hens of aristocratic lineage would scorn to understand the vulgar language of a barn-yard fowl. I prefer to think—and so would Miss Hepzibah—that they recognize the family tone. For you are a Pyncheon?"
"My name is Phoebe Pyncheon," said the girl, with a manner of some reserve; for she was aware that her new acquaintance could be no other than the daguerreotypist, of whose lawless propensities the old maid had given her a disagreeable idea. "I did not know that my cousin Hepzibah's garden was under another person's care."
"Yes," said Holgrave, "I dig, and hoe, and weed, in this black old earth, for the sake of refreshing myself with what little nature and simplicity may be left in it, after men have so long sown and reaped here. I turn up the earth by way of pastime. My sober occupation, so far as I have any, is with a lighter material. In short, I make pictures out of sunshine; and, not to be too much dazzled with my own trade, I have prevailed with Miss Hepzibah to let me lodge in one of these dusky gables. It is like a bandage over one's eyes, to come into it. But would you like to see a specimen of my productions?"
"A daguerreotype likeness, do you mean?" asked Phoebe with less reserve; for, in spite of prejudice, her own youthfulness sprang forward to meet his. "I don't much like pictures of that sort,—they are so hard and stern; besides dodging away from the eye, and trying to escape altogether. They are conscious of looking very unamiable, I suppose, and therefore hate to be seen."
"If you would permit me," said the artist, looking at Phoebe, "I should like to try whether the daguerreotype can bring out disagreeable traits on a perfectly amiable face. But there certainly is truth in what you have said. Most of my likenesses do look unamiable; but the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven's broad and simple sunshine. While we give it credit only for depicting the merest surface, it actually brings out the secret character with a truth that no painter would ever venture upon, even could he detect it. There is, at least, no flattery in my humble line of art. Now, here is a likeness which I have taken over and over again, and still with no better result. Yet the original wears, to common eyes, a very different expression. It would gratify me to have your judgment on this character."
He exhibited a daguerreotype miniature in a morocco case. Phoebe merely glanced at it, and gave it back.
"I know the face," she replied; "for its stern eye has been following me about all day. It is my Puritan ancestor, who hangs yonder in the parlor. To be sure, you have found some way of copying the portrait without its black velvet cap and gray beard, and have given him a modern coat and satin cravat, instead of his cloak and band. I don't think him improved by your alterations."
"You would have seen other differences had you looked a little longer," said Holgrave, laughing, yet apparently much struck. "I can assure you that this is a modern face, and one which you will very probably meet. Now, the remarkable point is, that the original wears, to the world's eye,—and, for aught I know, to his most intimate friends,—an exceedingly pleasant countenance, indicative of benevolence, openness of heart, sunny good-humor, and other praiseworthy qualities of that cast. The sun, as you see, tells quite another story, and will not be coaxed out of it, after half a dozen patient attempts on my part. Here we have the man, sly, subtle, hard, imperious, and, withal, cold as ice. Look at that eye! Would you like to be at its mercy? At that mouth! Could it ever smile? And yet, if you could only see the benign smile of the original! It is so much the more unfortunate, as he is a public character of some eminence, and the likeness was intended to be engraved."
"Well, I don't wish to see it any more," observed Phoebe, turning away her eyes. "It is certainly very like the old portrait. But my cousin Hepzibah has another picture,—a miniature. If the original is still in the world, I think he might defy the sun to make him look stern and hard."
"You have seen that picture, then!" exclaimed the artist, with an expression of much interest. "I never did, but have a great curiosity to do so. And you judge favorably of the face?"
"There never was a sweeter one," said Phoebe. "It is almost too soft and gentle for a man's."
"Is there nothing wild in the eye?" continued Holgrave, so earnestly that it embarrassed Phoebe, as did also the quiet freedom with which he presumed on their so recent acquaintance. "Is there nothing dark or sinister anywhere? Could you not conceive the original to have been guilty of a great crime?"
"It is nonsense," said Phoebe a little impatiently, "for us to talk about a picture which you have never seen. You mistake it for some other. A crime, indeed! Since you are a friend of my cousin Hepzibah's, you should ask her to show you the picture."
"It will suit my purpose still better to see the original," replied the daguerreotypist coolly. "As to his character, we need not discuss its points; they have already been settled by a competent tribunal, or one which called itself competent. But, stay! Do not go yet, if you please! I have a proposition to make you."
Phoebe was on the point of retreating, but turned back, with some hesitation; for she did not exactly comprehend his manner, although, on better observation, its feature seemed rather to be lack of ceremony than any approach to offensive rudeness. There was an odd kind of authority, too, in what he now proceeded to say, rather as if the garden were his own than a place to which he was admitted merely by Hepzibah's courtesy.
"If agreeable to you," he observed, "it would give me pleasure to turn over these flowers, and those ancient and respectable fowls, to your care. Coming fresh from country air and occupations, you will soon feel the need of some such out-of-door employment. My own sphere does not so much lie among flowers. You can trim and tend them, therefore, as you please; and I will ask only the least trifle of a blossom, now and then, in exchange for all the good, honest kitchen vegetables with which I propose to enrich Miss Hepzibah's table. So we will be fellow-laborers, somewhat on the community system."
Silently, and rather surprised at her own compliance, Phoebe accordingly betook herself to weeding a flower-bed, but busied herself still more with cogitations respecting this young man, with whom she so unexpectedly found herself on terms approaching to familiarity. She did not altogether like him. His character perplexed the little country-girl, as it might a more practised observer; for, while the tone of his conversation had generally been playful, the impression left on her mind was that of gravity, and, except as his youth modified it, almost sternness. She rebelled, as it were, against a certain magnetic element in the artist's nature, which he exercised towards her, possibly without being conscious of it.
After a little while, the twilight, deepened by the shadows of the fruit-trees and the surrounding buildings, threw an obscurity over the garden.
"There," said Holgrave, "it is time to give over work! That last stroke of the hoe has cut off a beanstalk. Good-night, Miss Phoebe Pyncheon! Any bright day, if you will put one of those rosebuds in your hair, and come to my rooms in Central Street, I will seize the purest ray of sunshine, and make a picture of the flower and its wearer." He retired towards his own solitary gable, but turned his head, on reaching the door, and called to Phoebe, with a tone which certainly had laughter in it, yet which seemed to be more than half in earnest.
"Be careful not to drink at Maule's well!" said he. "Neither drink nor bathe your face in it!"
"Maule's well!" answered Phoebe. "Is that it with the rim of mossy stones? I have no thought of drinking there,—but why not?"
"Oh," rejoined the daguerreotypist, "because, like an old lady's cup of tea, it is water bewitched!"
He vanished; and Phoebe, lingering a moment, saw a glimmering light, and then the steady beam of a lamp, in a chamber of the gable. On returning into Hepzibah's apartment of the house, she found the low-studded parlor so dim and dusky that her eyes could not penetrate the interior. She was indistinctly aware, however, that the gaunt figure of the old gentlewoman was sitting in one of the straight-backed chairs, a little withdrawn from the window, the faint gleam of which showed the blanched paleness of her cheek, turned sideways towards a corner.
"Shall I light a lamp, Cousin Hepzibah?" she asked.
"Do, if you please, my dear child," answered Hepzibah. "But put it on the table in the corner of the passage. My eyes are weak; and I can seldom bear the lamplight on them."
What an instrument is the human voice! How wonderfully responsive to every emotion of the human soul! In Hepzibah's tone, at that moment, there was a certain rich depth and moisture, as if the words, commonplace as they were, had been steeped in the warmth of her heart. Again, while lighting the lamp in the kitchen, Phoebe fancied that her cousin spoke to her.
"In a moment, cousin!" answered the girl. "These matches just glimmer, and go out."
But, instead of a response from Hepzibah, she seemed to hear the murmur of an unknown voice. It was strangely indistinct, however, and less like articulate words than an unshaped sound, such as would be the utterance of feeling and sympathy, rather than of the intellect. So vague was it, that its impression or echo in Phoebe's mind was that of unreality. She concluded that she must have mistaken some other sound for that of the human voice; or else that it was altogether in her fancy.
She set the lighted lamp in the passage, and again entered the parlor. Hepzibah's form, though its sable outline mingled with the dusk, was now less imperfectly visible. In the remoter parts of the room, however, its walls being so ill adapted to reflect light, there was nearly the same obscurity as before.
"Cousin," said Phoebe, "did you speak to me just now?"
"No, child!" replied Hepzibah.
Fewer words than before, but with the same mysterious music in them! Mellow, melancholy, yet not mournful, the tone seemed to gush up out of the deep well of Hepzibah's heart, all steeped in its profoundest emotion. There was a tremor in it, too, that—as all strong feeling is electric—partly communicated itself to Phoebe. The girl sat silently for a moment. But soon, her senses being very acute, she became conscious of an irregular respiration in an obscure corner of the room. Her physical organization, moreover, being at once delicate and healthy, gave her a perception, operating with almost the effect of a spiritual medium, that somebody was near at hand.
"My dear cousin," asked she, overcoming an indefinable reluctance, "is there not some one in the room with us?"
"Phoebe, my dear little girl," said Hepzibah, after a moment's pause, "you were up betimes, and have been busy all day. Pray go to bed; for I am sure you must need rest. I will sit in the parlor awhile, and collect my thoughts. It has been my custom for more years, child, than you have lived!" While thus dismissing her, the maiden lady stept forward, kissed Phoebe, and pressed her to her heart, which beat against the girl's bosom with a strong, high, and tumultuous swell. How came there to be so much love in this desolate old heart, that it could afford to well over thus abundantly?
"Goodnight, cousin," said Phoebe, strangely affected by Hepzibah's manner. "If you begin to love me, I am glad!"
She retired to her chamber, but did not soon fall asleep, nor then very profoundly. At some uncertain period in the depths of night, and, as it were, through the thin veil of a dream, she was conscious of a footstep mounting the stairs heavily, but not with force and decision. The voice of Hepzibah, with a hush through it, was going up along with the footsteps; and, again, responsive to her cousin's voice, Phoebe heard that strange, vague murmur, which might be likened to an indistinct shadow of human utterance.
VII The Guest
WHEN Phoebe awoke,—which she did with the early twittering of the conjugal couple of robins in the pear-tree,—she heard movements below stairs, and, hastening down, found Hepzibah already in the kitchen. She stood by a window, holding a book in close contiguity to her nose, as if with the hope of gaining an olfactory acquaintance with its contents, since her imperfect vision made it not very easy to read them. If any volume could have manifested its essential wisdom in the mode suggested, it would certainly have been the one now in Hepzibah's hand; and the kitchen, in such an event, would forthwith have streamed with the fragrance of venison, turkeys, capons, larded partridges, puddings, cakes, and Christmas pies, in all manner of elaborate mixture and concoction. It was a cookery book, full of innumerable old fashions of English dishes, and illustrated with engravings, which represented the arrangements of the table at such banquets as it might have befitted a nobleman to give in the great hall of his castle. And, amid these rich and potent devices of the culinary art (not one of which, probably, had been tested, within the memory of any man's grandfather), poor Hepzibah was seeking for some nimble little titbit, which, with what skill she had, and such materials as were at hand, she might toss up for breakfast.
Soon, with a deep sigh, she put aside the savory volume, and inquired of Phoebe whether old Speckle, as she called one of the hens, had laid an egg the preceding day. Phoebe ran to see, but returned without the expected treasure in her hand. At that instant, however, the blast of a fish-dealer's conch was heard, announcing his approach along the street. With energetic raps at the shop-window, Hepzibah summoned the man in, and made purchase of what he warranted as the finest mackerel in his cart, and as fat a one as ever he felt with his finger so early in the season. Requesting Phoebe to roast some coffee,—which she casually observed was the real Mocha, and so long kept that each of the small berries ought to be worth its weight in gold,—the maiden lady heaped fuel into the vast receptacle of the ancient fireplace in such quantity as soon to drive the lingering dusk out of the kitchen. The country-girl, willing to give her utmost assistance, proposed to make an Indian cake, after her mother's peculiar method, of easy manufacture, and which she could vouch for as possessing a richness, and, if rightly prepared, a delicacy, unequalled by any other mode of breakfast-cake. Hepzibah gladly assenting, the kitchen was soon the scene of savory preparation. Perchance, amid their proper element of smoke, which eddied forth from the ill-constructed chimney, the ghosts of departed cook-maids looked wonderingly on, or peeped down the great breadth of the flue, despising the simplicity of the projected meal, yet ineffectually pining to thrust their shadowy hands into each inchoate dish. The half-starved rats, at any rate, stole visibly out of their hiding-places, and sat on their hind-legs, snuffing the fumy atmosphere, and wistfully awaiting an opportunity to nibble.
Hepzibah had no natural turn for cookery, and, to say the truth, had fairly incurred her present meagreness by often choosing to go without her dinner rather than be attendant on the rotation of the spit, or ebullition of the pot. Her zeal over the fire, therefore, was quite an heroic test of sentiment. It was touching, and positively worthy of tears (if Phoebe, the only spectator, except the rats and ghosts aforesaid, had not been better employed than in shedding them), to see her rake out a bed of fresh and glowing coals, and proceed to broil the mackerel. Her usually pale cheeks were all ablaze with heat and hurry. She watched the fish with as much tender care and minuteness of attention as if,—we know not how to express it otherwise,—as if her own heart were on the gridiron, and her immortal happiness were involved in its being done precisely to a turn!
Life, within doors, has few pleasanter prospects than a neatly arranged and well-provisioned breakfast-table. We come to it freshly, in the dewy youth of the day, and when our spiritual and sensual elements are in better accord than at a later period; so that the material delights of the morning meal are capable of being fully enjoyed, without any very grievous reproaches, whether gastric or conscientious, for yielding even a trifle overmuch to the animal department of our nature. The thoughts, too, that run around the ring of familiar guests have a piquancy and mirthfulness, and oftentimes a vivid truth, which more rarely find their way into the elaborate intercourse of dinner. Hepzibah's small and ancient table, supported on its slender and graceful legs, and covered with a cloth of the richest damask, looked worthy to be the scene and centre of one of the cheerfullest of parties. The vapor of the broiled fish arose like incense from the shrine of a barbarian idol, while the fragrance of the Mocha might have gratified the nostrils of a tutelary Lar, or whatever power has scope over a modern breakfast-table. Phoebe's Indian cakes were the sweetest offering of all,—in their hue befitting the rustic altars of the innocent and golden age,—or, so brightly yellow were they, resembling some of the bread which was changed to glistening gold when Midas tried to eat it. The butter must not be forgotten,—butter which Phoebe herself had churned, in her own rural home, and brought it to her cousin as a propitiatory gift,—smelling of clover-blossoms, and diffusing the charm of pastoral scenery through the dark-panelled parlor. All this, with the quaint gorgeousness of the old china cups and saucers, and the crested spoons, and a silver cream-jug (Hepzibah's only other article of plate, and shaped like the rudest porringer), set out a board at which the stateliest of old Colonel Pyncheon's guests need not have scorned to take his place. But the Puritan's face scowled down out of the picture, as if nothing on the table pleased his appetite.
By way of contributing what grace she could, Phoebe gathered some roses and a few other flowers, possessing either scent or beauty, and arranged them in a glass pitcher, which, having long ago lost its handle, was so much the fitter for a flower-vase. The early sunshine—as fresh as that which peeped into Eve's bower while she and Adam sat at breakfast there—came twinkling through the branches of the pear-tree, and fell quite across the table. All was now ready. There were chairs and plates for three. A chair and plate for Hepzibah,—the same for Phoebe,—but what other guest did her cousin look for?
Throughout this preparation there had been a constant tremor in Hepzibah's frame; an agitation so powerful that Phoebe could see the quivering of her gaunt shadow, as thrown by the firelight on the kitchen wall, or by the sunshine on the parlor floor. Its manifestations were so various, and agreed so little with one another, that the girl knew not what to make of it. Sometimes it seemed an ecstasy of delight and happiness. At such moments, Hepzibah would fling out her arms, and infold Phoebe in them, and kiss her cheek as tenderly as ever her mother had; she appeared to do so by an inevitable impulse, and as if her bosom were oppressed with tenderness, of which she must needs pour out a little, in order to gain breathing-room. The next moment, without any visible cause for the change, her unwonted joy shrank back, appalled, as it were, and clothed itself in mourning; or it ran and hid itself, so to speak, in the dungeon of her heart, where it had long lain chained, while a cold, spectral sorrow took the place of the imprisoned joy, that was afraid to be enfranchised,—a sorrow as black as that was bright. She often broke into a little, nervous, hysteric laugh, more touching than any tears could be; and forthwith, as if to try which was the most touching, a gush of tears would follow; or perhaps the laughter and tears came both at once, and surrounded our poor Hepzibah, in a moral sense, with a kind of pale, dim rainbow. Towards Phoebe, as we have said, she was affectionate,—far tenderer than ever before, in their brief acquaintance, except for that one kiss on the preceding night,—yet with a continually recurring pettishness and irritability. She would speak sharply to her; then, throwing aside all the starched reserve of her ordinary manner, ask pardon, and the next instant renew the just-forgiven injury.
At last, when their mutual labor was all finished, she took Phoebe's hand in her own trembling one.
"Bear with me, my dear child," she cried; "for truly my heart is full to the brim! Bear with me; for I love you, Phoebe, though I speak so roughly. Think nothing of it, dearest child! By and by, I shall be kind, and only kind!"
"My dearest cousin, cannot you tell me what has happened?" asked Phoebe, with a sunny and tearful sympathy. "What is it that moves you so?"
"Hush! hush! He is coming!" whispered Hepzibah, hastily wiping her eyes. "Let him see you first, Phoebe; for you are young and rosy, and cannot help letting a smile break out whether or no. He always liked bright faces! And mine is old now, and the tears are hardly dry on it. He never could abide tears. There; draw the curtain a little, so that the shadow may fall across his side of the table! But let there be a good deal of sunshine, too; for he never was fond of gloom, as some people are. He has had but little sunshine in his life,—poor Clifford,—and, oh, what a black shadow. Poor, poor Clifford!"
Thus murmuring in an undertone, as if speaking rather to her own heart than to Phoebe, the old gentlewoman stepped on tiptoe about the room, making such arrangements as suggested themselves at the crisis.
Meanwhile there was a step in the passage-way, above stairs. Phoebe recognized it as the same which had passed upward, as through her dream, in the night-time. The approaching guest, whoever it might be, appeared to pause at the head of the staircase; he paused twice or thrice in the descent; he paused again at the foot. Each time, the delay seemed to be without purpose, but rather from a forgetfulness of the purpose which had set him in motion, or as if the person's feet came involuntarily to a stand-still because the motive-power was too feeble to sustain his progress. Finally, he made a long pause at the threshold of the parlor. He took hold of the knob of the door; then loosened his grasp without opening it. Hepzibah, her hands convulsively clasped, stood gazing at the entrance.
"Dear Cousin Hepzibah, pray don't look so!" said Phoebe, trembling; for her cousin's emotion, and this mysteriously reluctant step, made her feel as if a ghost were coming into the room. "You really frighten me! Is something awful going to happen?"
"Hush!" whispered Hepzibah. "Be cheerful! whatever may happen, be nothing but cheerful!"
The final pause at the threshold proved so long, that Hepzibah, unable to endure the suspense, rushed forward, threw open the door, and led in the stranger by the hand. At the first glance, Phoebe saw an elderly personage, in an old-fashioned dressing-gown of faded damask, and wearing his gray or almost white hair of an unusual length. It quite overshadowed his forehead, except when he thrust it back, and stared vaguely about the room. After a very brief inspection of his face, it was easy to conceive that his footstep must necessarily be such an one as that which, slowly and with as indefinite an aim as a child's first journey across a floor, had just brought him hitherward. Yet there were no tokens that his physical strength might not have sufficed for a free and determined gait. It was the spirit of the man that could not walk. The expression of his countenance—while, notwithstanding it had the light of reason in it—seemed to waver, and glimmer, and nearly to die away, and feebly to recover itself again. It was like a flame which we see twinkling among half-extinguished embers; we gaze at it more intently than if it were a positive blaze, gushing vividly upward,—more intently, but with a certain impatience, as if it ought either to kindle itself into satisfactory splendor, or be at once extinguished.
For an instant after entering the room, the guest stood still, retaining Hepzibah's hand instinctively, as a child does that of the grown person who guides it. He saw Phoebe, however, and caught an illumination from her youthful and pleasant aspect, which, indeed, threw a cheerfulness about the parlor, like the circle of reflected brilliancy around the glass vase of flowers that was standing in the sunshine. He made a salutation, or, to speak nearer the truth, an ill-defined, abortive attempt at curtsy. Imperfect as it was, however, it conveyed an idea, or, at least, gave a hint, of indescribable grace, such as no practised art of external manners could have attained. It was too slight to seize upon at the instant; yet, as recollected afterwards, seemed to transfigure the whole man.
"Dear Clifford," said Hepzibah, in the tone with which one soothes a wayward infant, "this is our cousin Phoebe,—little Phoebe Pyncheon,—Arthur's only child, you know. She has come from the country to stay with us awhile; for our old house has grown to be very lonely now."
"Phoebe—Phoebe Pyncheon?—Phoebe?" repeated the guest, with a strange, sluggish, ill-defined utterance. "Arthur's child! Ah, I forget! No matter. She is very welcome!"
"Come, dear Clifford, take this chair," said Hepzibah, leading him to his place. "Pray, Phoebe, lower the curtain a very little more. Now let us begin breakfast."
The guest seated himself in the place assigned him, and looked strangely around. He was evidently trying to grapple with the present scene, and bring it home to his mind with a more satisfactory distinctness. He desired to be certain, at least, that he was here, in the low-studded, cross-beamed, oaken-panelled parlor, and not in some other spot, which had stereotyped itself into his senses. But the effort was too great to be sustained with more than a fragmentary success. Continually, as we may express it, he faded away out of his place; or, in other words, his mind and consciousness took their departure, leaving his wasted, gray, and melancholy figure—a substantial emptiness, a material ghost—to occupy his seat at table. Again, after a blank moment, there would be a flickering taper-gleam in his eyeballs. It betokened that his spiritual part had returned, and was doing its best to kindle the heart's household fire, and light up intellectual lamps in the dark and ruinous mansion, where it was doomed to be a forlorn inhabitant.
At one of these moments of less torpid, yet still imperfect animation, Phoebe became convinced of what she had at first rejected as too extravagant and startling an idea. She saw that the person before her must have been the original of the beautiful miniature in her cousin Hepzibah's possession. Indeed, with a feminine eye for costume, she had at once identified the damask dressing-gown, which enveloped him, as the same in figure, material, and fashion, with that so elaborately represented in the picture. This old, faded garment, with all its pristine brilliancy extinct, seemed, in some indescribable way, to translate the wearer's untold misfortune, and make it perceptible to the beholder's eye. It was the better to be discerned, by this exterior type, how worn and old were the soul's more immediate garments; that form and countenance, the beauty and grace of which had almost transcended the skill of the most exquisite of artists. It could the more adequately be known that the soul of the man must have suffered some miserable wrong, from its earthly experience. There he seemed to sit, with a dim veil of decay and ruin betwixt him and the world, but through which, at flitting intervals, might be caught the same expression, so refined, so softly imaginative, which Malbone—venturing a happy touch, with suspended breath—had imparted to the miniature! There had been something so innately characteristic in this look, that all the dusky years, and the burden of unfit calamity which had fallen upon him, did not suffice utterly to destroy it.
Hepzibah had now poured out a cup of deliciously fragrant coffee, and presented it to her guest. As his eyes met hers, he seemed bewildered and disquieted.
"Is this you, Hepzibah?" he murmured sadly; then, more apart, and perhaps unconscious that he was overheard, "How changed! how changed! And is she angry with me? Why does she bend her brow so?"
Poor Hepzibah! It was that wretched scowl which time and her near-sightedness, and the fret of inward discomfort, had rendered so habitual that any vehemence of mood invariably evoked it. But at the indistinct murmur of his words her whole face grew tender, and even lovely, with sorrowful affection; the harshness of her features disappeared, as it were, behind the warm and misty glow.
"Angry!" she repeated; "angry with you, Clifford!"
Her tone, as she uttered the exclamation, had a plaintive and really exquisite melody thrilling through it, yet without subduing a certain something which an obtuse auditor might still have mistaken for asperity. It was as if some transcendent musician should draw a soul-thrilling sweetness out of a cracked instrument, which makes its physical imperfection heard in the midst of ethereal harmony,—so deep was the sensibility that found an organ in Hepzibah's voice!
"There is nothing but love here, Clifford," she added,—"nothing but love! You are at home!"
The guest responded to her tone by a smile, which did not half light up his face. Feeble as it was, however, and gone in a moment, it had a charm of wonderful beauty. It was followed by a coarser expression; or one that had the effect of coarseness on the fine mould and outline of his countenance, because there was nothing intellectual to temper it. It was a look of appetite. He ate food with what might almost be termed voracity; and seemed to forget himself, Hepzibah, the young girl, and everything else around him, in the sensual enjoyment which the bountifully spread table afforded. In his natural system, though high-wrought and delicately refined, a sensibility to the delights of the palate was probably inherent. It would have been kept in check, however, and even converted into an accomplishment, and one of the thousand modes of intellectual culture, had his more ethereal characteristics retained their vigor. But as it existed now, the effect was painful and made Phoebe droop her eyes.
In a little while the guest became sensible of the fragrance of the yet untasted coffee. He quaffed it eagerly. The subtle essence acted on him like a charmed draught, and caused the opaque substance of his animal being to grow transparent, or, at least, translucent; so that a spiritual gleam was transmitted through it, with a clearer lustre than hitherto.
"More, more!" he cried, with nervous haste in his utterance, as if anxious to retain his grasp of what sought to escape him. "This is what I need! Give me more!"
Under this delicate and powerful influence he sat more erect, and looked out from his eyes with a glance that took note of what it rested on. It was not so much that his expression grew more intellectual; this, though it had its share, was not the most peculiar effect. Neither was what we call the moral nature so forcibly awakened as to present itself in remarkable prominence. But a certain fine temper of being was now not brought out in full relief, but changeably and imperfectly betrayed, of which it was the function to deal with all beautiful and enjoyable things. In a character where it should exist as the chief attribute, it would bestow on its possessor an exquisite taste, and an enviable susceptibility of happiness. Beauty would be his life; his aspirations would all tend toward it; and, allowing his frame and physical organs to be in consonance, his own developments would likewise be beautiful. Such a man should have nothing to do with sorrow; nothing with strife; nothing with the martyrdom which, in an infinite variety of shapes, awaits those who have the heart, and will, and conscience, to fight a battle with the world. To these heroic tempers, such martyrdom is the richest meed in the world's gift. To the individual before us, it could only be a grief, intense in due proportion with the severity of the infliction. He had no right to be a martyr; and, beholding him so fit to be happy and so feeble for all other purposes, a generous, strong, and noble spirit would, methinks, have been ready to sacrifice what little enjoyment it might have planned for itself,—it would have flung down the hopes, so paltry in its regard,—if thereby the wintry blasts of our rude sphere might come tempered to such a man.
Not to speak it harshly or scornfully, it seemed Clifford's nature to be a Sybarite. It was perceptible, even there, in the dark old parlor, in the inevitable polarity with which his eyes were attracted towards the quivering play of sunbeams through the shadowy foliage. It was seen in his appreciating notice of the vase of flowers, the scent of which he inhaled with a zest almost peculiar to a physical organization so refined that spiritual ingredients are moulded in with it. It was betrayed in the unconscious smile with which he regarded Phoebe, whose fresh and maidenly figure was both sunshine and flowers,—their essence, in a prettier and more agreeable mode of manifestation. Not less evident was this love and necessity for the Beautiful, in the instinctive caution with which, even so soon, his eyes turned away from his hostess, and wandered to any quarter rather than come back. It was Hepzibah's misfortune,—not Clifford's fault. How could he,—so yellow as she was, so wrinkled, so sad of mien, with that odd uncouthness of a turban on her head, and that most perverse of scowls contorting her brow,—how could he love to gaze at her? But, did he owe her no affection for so much as she had silently given? He owed her nothing. A nature like Clifford's can contract no debts of that kind. It is—we say it without censure, nor in diminution of the claim which it indefeasibly possesses on beings of another mould—it is always selfish in its essence; and we must give it leave to be so, and heap up our heroic and disinterested love upon it so much the more, without a recompense. Poor Hepzibah knew this truth, or, at least, acted on the instinct of it. So long estranged from what was lovely as Clifford had been, she rejoiced—rejoiced, though with a present sigh, and a secret purpose to shed tears in her own chamber that he had brighter objects now before his eyes than her aged and uncomely features. They never possessed a charm; and if they had, the canker of her grief for him would long since have destroyed it.